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Aboriginal Womens Council of Saskatchewan Meeting
Accord Agreement Signing between FSIN and Federal Government
Angelique Merasty: Birch Bark Artist
[Anglican Church]
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artists, Weavers, Movers and Shakers
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Baker Lake Wall-Hangings: Starting from Scraps
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
[BeauDril Worker at Work]
BeauDril Worker At Work
The Beothuk of Newfoundland: A Vanished People
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Bibliography of Kate Peck Kent
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Chasms and Collisions: Native American Women's Decolonial Labor
A Collection Without Parallel Sees the Light of Day
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Contemporary Indigenous Arts in the Classroom
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Developing Indigenous Visual Arts Transnationally and Across Genres
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
Equality
The Eskimos
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
The European Perception of the Native American, 1750-1850
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
[Female Inuk Child]
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Frederick Alexcee's Entangled Gazes
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Graphic Indigeneity : Comics in the Americas and Australasia
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
Honouring: Project of Heart / Speaking to Memory
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
How "They" See "Us": Native American Images of Tourists
"I Came to Rite Thare Portraits": Paul Kane's Journal of His Western Travels, 1846-1848
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Iljuwas Bill Reid: Life & Work
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.