Paintings of totem pole villages created in the early 20th century done by Emily Carr and other artists. The voice of First Nations people describes and provides context for the artworks.
The Canadian Journal of Native Studies, vol. 9, no. 2, 1989, pp. 253-272
Description
Replication of these wooden masks, together with the continued carving and use of False Faces, has contributed to the survival and stability of the Iroquois.
Inuit Art Quarterly, vol. 14, no. 4, Winter, 1999, pp. 40-42
Description
Curatorial notes for exhibition of the same name mounted at the Provincial Museum of Alberta, 1999.
Entire issue on one pdf. To access article, scroll to page 40.