Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Womens Council of Saskatchewan Meeting
Accord Agreement Signing between FSIN and Federal Government
The Acquisition of Visual Records Relating to Native Life in North America
Aesthetics in a Cross-Cultural Perspective: Some Reflections on Native American Basketry
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
After the Art Boom, What?: Yupik and Inuit Art: A Resurgence
Anasazi Ceramics as Text and Tool: Toward a Theory of Ceramic Design "Messaging"
Angelique Merasty: Birch Bark Artist
[Anglican Church]
Art of Ethnography: A Critical Analysis of Edward S. Curtis' The North American Indian
The Artists Speak
Artists, Weavers, Movers and Shakers
Ayumee-Aawach Oomama-Mowan: Speaking to Their Mother
Baker Lake Wall-Hangings: Starting from Scraps
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
BeauDril Worker At Work
[BeauDril Worker at Work]
The Beothuk of Newfoundland: A Vanished People
Bibliography of Kate Peck Kent
The Black Canoe: Bill Reid and the Spirit of the Haida Gawaii
Challenging Long-Cherished Beliefs
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
A Collection Without Parallel Sees the Light of Day
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Cross-Cultural Education vs. Modernist Imperialism: The Institute of American Indian Arts
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Defying the Limits
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
The Eskimos
The European Perception of the Native American, 1750-1850
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
[Female Inuk Child]
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.