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Aborigines Day Saskatoon. - 21 June 2003. - Slide.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Aborigines Day Saskatoon. - 21 June 2003. - Slides.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Across the Great Divide: Jimmie Durham's Subversive (Self) Portraits
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Áillohaš the Shaman-Poet and His Govadas-Image Drum: A Literary Ecology of Nils-Aslak Valkeapää
American Anthropologist. Vol. 105, No. 4, December 2003.
The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
The Anguish of Snails: Native American Folklore in the West
The Art of Jessie Oonark: [Ceremonies of Innocence]
Artists in the Arctic
B.C. First Nations Studies [Textbook]
The Basketmaker
A Bead Box of My Own: The Beadwork of Métis Artist Philomene Umpherville
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
Bone Work from Arviat
Brian Jungen: Cool, Cooler, Coolest
Button Blanket Math: A Primary Unit, Grade 2
Resource for teaching number, pattern and space/shapes by incorporating images and forms used in First Nations art. Includes black line masters.
A Case Study in the Relationship Between Social Complexity and the Organization of Ceramic Production From the Lake Pátzcuaro Basin, Michoacán, Mexico. Volume 1
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Coacoochee's Bones: A Seminole Saga
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Community Profile Phil Parr with the Sask Federation of Indians
A Conversation with Nutaraaluk Iyaituk
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
The Discovery of Inuit Art: James A. Houston - Animateur
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
Duck Lake, Aug. 2003 - Slides.
Historical note:
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
Foster Child
Framing the West: Race, Gender, and the Photographic Frontier in the Pacific Northwest
Frank Shebageget: Quantification
Glass Trade Beads From Reese Bay, Unalaska Island: Spatial and Temporal Patterns
Hannah Claus
Health in the Inner City: A Photo Essay
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.