Allen Sapp
Allen Sapp to Receive Merit Award
Ancient Art of the American Woodland Indians
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Archival Photographs in Perspective: Indian Residential School Images of Health
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Basketmaking Guides and the Appropriation of Indigenous Basketry
Beads: Symbols of Indigenous Cultural Resilience and Value
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Cedar
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Developing Indigenous Visual Arts Transnationally and Across Genres
Disposable Red Woman: Guerrilla Art
Domestic Production Among the Innut of La Romaine: Persistence or Transformation?
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
Flags at full mast outside the Prince Albert Tribal Council Office
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
Framing the Past
"Free Your Mind," from the Series Crazymaking (2007)
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
A Fur Trader's Photographs: A.A. Chesterfield in the District of Ungava, 1901-4
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
Graphic Indigeneity : Comics in the Americas and Australasia
The Great Shimmering
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.