Southern Cheyenne Style Moccasins: Bob Gurney's Moccasins Revisited
Speaking of Materials
Staying in Place: Plains Metis Borderland Communities, 1885-1930
A Strange Mixture: The Art of Politics of Painting Pueblo Indians
Student Snapshots: An Alternative Approach to the Visual History of American Indian Boarding Schools
Survivance, Signs, and Media Art Histories: New Temporalities and Productive Tensions in Dana Claxton’s Made To Be Ready: A Review Essay
Susan Point: Spindle Whorl: Teacher's Study Guide
Although designed to accompany class visit to an exhibition of the Musqueam artist's work, can be used alone.
Table 576-0001: Aboriginal Peoples Survey, Making Handcrafted Goods by Aboriginal Identity, Age Group and Sex, Population Aged 15 Years and Older, Canada, Provinces and Territories: Occasional
Table 576-0002: Aboriginal Peoples Survey, Making Handcrafted Goods by Age Group and Sex, Inuit Population Aged 15 Years and Over, Canada and Inuit Nunangat: Occasional
Table 576-0003: Aboriginal Peoples Survey, Reasons for Making Handcrafted Goods, by Aboriginal Identity, Age Group and Sex, Population Aged 15 Years and Over, Canada, Provinces and Territories: Occasional
Table 576-0004: Aboriginal Peoples Survey, Reasons for Making Handcrafted Goods, by Age Group and Sex, Inuit Population Aged 15 Years and Over, Canada and Inuit Nunangat: Occasional
Teepees and Trade-marks: Aboriginal Peoples, Stereotypes and Intellectual Property
Three Indians In Snow Scene
Through an Indigenous Lens: Understanding Indigenous Masculinity and Street Gang Involvement
Through the Lens of Our Cameras: Children's Lived Experience with Food Security in a Canadian Indigenous Community
Touchstone: Narratives in Contemporary Canadian Inuit Art
Art Thesis (M.A) -- Dalhousie University, 2015.
Toward an Indigenous Feminine Animation Aesthetic
A Tradition of Evolution: The Vancouver Indigenous Media Arts Festival
Traditional Knowledge Background Briefs
Transformation Through Drum Building: A Look at One School's Journey and Learning Through Crafting
The Trickster Critique: How Parody in Contemporary Native American Art Challenges Authenticity and Authority within Mainstream Museums
The Truth in the Classroom
The Tsimshian: Images of the Past: Views For the Present
Unlimited Edition: An Art Historical Framework for Indigenous Artists in Printmaking
Unravelling the Yamaji Imaginings of Alexander Morton and Daisy Bates
Unsettled Borders and Memories: A "Local" Indigenous Perspective on Contemporary Globalization
Unsettling Scenes
Views in Hudson’s Bay (1825) and Peter Rindisbacher: Constructions of Indigenous and Non-Indigenous Culture in the Red River Settlement
Art Thesis (MA) -- University of Alberta, 2017.
[Visual Arts: Woodland Style Artwork]
War Club Construction
The Waters of Sexual Exploitation: Understanding the World of Sexually Exploited Youth
"We All Stand Side by Side": An Interview With Elizabeth LaPensée
We Are Still Here: A Photographic History of the American Indian Movement
We Interrupt This Program: Indigenous Media Tactics in Canadian Culture
We Were So Far Away: The Inuit Experience of Residential Schools: Activity Guide
Weaving Math
Uses techniques involved in creating a Coast Salish blanket to teach concepts of slope and equations in Grade 10 Mathematics Curriculum.
Well-Suited
What's the Scoop: Carey Newman and the Witness Blanket
Talk by the creator of large-scale art installation comprised of objects gathered from the sites of residential schools across Canada. Duration: 1:24:11.
Who Was “Big George”? An Exploration and Critique of Aboriginalist Discourse Within Historical Photographic and Written Texts
Media Culture and the Arts Thesis (PhD) -- Curtin University, 2015
Who Was Henry Standing Bear? Remembering Lakota Activism From the Early Twentieth Century
Witness: Pieces of History
Women and Ledger Art: Four Contemporary Native American Artists
Women, Bison, and Coup: A Structural Analysis of Cheyenne Pictographic Art
Women of Labrador: Frontrunning Inuit Artists: Josephina Kalleo, Garmel Rich, and Nellie Winters
The World, the Text, and the Indian: Global Dimensions of Native American Literature
Wrapped in Wool and Copper: Encountering Musqueam Art at Vancouver's Granville at 70th Development Project
The Writing on the Wall: The Work of Joane Cardinal-Schubert
Yamǫ́rıa: The One Who Travels
Yamǫ́rıa was a powerful man who helped the ancient Dene by destroying giant animals, separating animals from humans, and giving laws to enable the people to live together in harmony.
Website contains links to biographies of Dene Elders and recorded stories by them and Dene legends, laws and artwork.