Circling the Truth
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Clothing Power: Hierarchies of Gender Difference and Ambiguity in Moche Ceramic Representations of Human Dress, C.E. 1-850
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Collecting Aboriginal Art in the Australian Nation: Two Case Studies
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Colonial Photographs and Post-Colonial Histories: The Kanai-Oxford Photographic Histories Project
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
The Commodification of Polynesian Tattooing: Change, Persistence, and Reinvention of a Cultural Tradition
Commodifications of the Past? An IPinCH KnowledgeBase Bibliography
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Connect and Divide: The Cell: A Conversation with Edward Poitras
Conquest, Consequences, Restoration: The Art of Rebecca Belmore
Constructing Authenticity: The Indian Arts and Crafts Board and the Eastern Band of Cherokees, 1935-1985
Contemporary Interpretation of an Unusual Navajo Weaving Technique
Contemporary Native American Women Artists: Visual Expressions of Feminism, the Environment, and Identity
Contradictions in Indian Art: Contemporary Native American Arts and the National Museum of the American Indian
Creative Arts, Culture, and Healing: Building an Evidence Base
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Domestic Production Among the Innut of La Romaine: Persistence or Transformation?
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Ed Peekeekoot: Musician, Artist, Visionary
Entrelacs: Ontologie Métisse et Poïétique Dialogique
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
The Evolution of Beaded Baskets
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Eye Contact: Photographing Indigenous Australians
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.