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Allen Sapp to Receive Merit Award
Ancient Art of the American Woodland Indians
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
The Archaeology of Monitor Valley: 3. Survey and Additional Excavations
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Barter, Blankets, and Bracelets: The Role of the Trader in the Navajo Textile and SIlverwork Industries, 1868-1930
Basketmaking Guides and the Appropriation of Indigenous Basketry
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Carvingstone, the Foundation of a Northern Economy
Cedar
Change in Ojibwa (Chippewa) Dress, 1820-1980
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Contemporary Inuit Drawings
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Designing Among the Navajo: Ethnoaesthetics in Weaving
Developing Indigenous Visual Arts Transnationally and Across Genres
Different Rules for Different Artists
Domestic Production Among the Innut of La Romaine: Persistence or Transformation?
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
The Drawings of Parr: A Closer Look
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
Flags at full mast outside the Prince Albert Tribal Council Office
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
A Fur Trader's Photographs: A.A. Chesterfield in the District of Ungava, 1901-4
Graphic Indigeneity : Comics in the Americas and Australasia
[Group of Children Playing in Snow Bank Next to School]
[Group of Children Playing in Snowbank Next to School]
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
Iljuwas Bill Reid: Life & Work
"Imitation White Man": Images of Transformation at the Carlisle Indian School
Improving Visual Arts Programs for Navajo Students Through Discipline-Based Art Education
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
In Retrospect
In Retrospect
In Retrospect
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.