Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Acts of Empathic Imagination: Contemporary Native American Artists and Writers as Healers
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alex Cywink Interview #1
American Indian Textiles: 2,000 Artist Biographies: vol.3
Analytical Techniques in the Analysis of Rock Art
Archival Photographs in Perspective: Indian Residential School Images of Health
Arsene Fontaine Interview #1
Art, Social Power, and Native Peoples: An Analysis of Representations
An Assessment of the Manufacture, Use, Origin, and Nomenclature of Utilitarian Ceramics Produced by Native American Peoples of Orange County, California
Anthropology Thesis (M.A.)--California State University, Fullerton, 2001.
"Authenticity" and the Contemporary Northwest Coast Indian Art Market
Autoethnography and Material Culture: the Case of Bill Reid
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Benjamin West's 'Indian Family'
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Biography: Darren R. Mckenzie
[Book Reviews]
"Buffalo Bill" and the Siouan Image
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Camping with the Sioux: Fieldwork Diary of Alice Cunningham Fletcher
Canada Customs, Each-you-eyh-ul Siem (?) Sights/Sites of Meaning in Musquem Weaving
Ceramics and Social Dynamics: Technological Style and Corrugated Ceramics During the Pueblo III to Pueblo IV Transition, Silver Creek, Arizona
Ceremonial Robes of the Montagnais-Naskapi
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Clara Pratt Interview #2
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Constructed Destinations: Art and Representations of History at the Vancouver International Airport
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture in the Marketplace: Gender, Art, and Value in the American Southwest
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Disposable Red Woman: Guerrilla Art
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.