File contains 11 negatives from a Race Relations Conference held by the Prince Albert Indian and Metis Friendship Centre on October 3, 1983. The images show various conference participants engaged in discussion.
Curator of the exhibition entitled Americans at the National Museum of the American Indian discusses the exhibition about the pervasiveness of the image of the American Indian in popular culture and the controversy surrounding the validity of artist Jimmy Durham's Cherokee identity.
Duration: 58:51.
Art Journal, vol. 51, no. 3, Recent Native American Art, Fall, 1992, pp. 66-73
Description
Author comments on the exhibition mounted by the Canadian Museum of Civilization in 1992 and issues concerning the Aboriginal artistic community in general, such as being the subject or object, rather than the observer.
Consists of an interview where she gives an account of native use of plants for medicine. She tells of prophecies concerning the arrival of the white man and general accounts of her life in the bush.
John McKay still tends to his family's trap-line at age seventy-six. Page one: picture of John McKay (at time of interview) Page two: picture of John and Mary Anne with their son Richard displaying furs (1950s). A picture of John's parents, Catherine and Roderick McKay.
Consists of an interview with Josephine Beaucage where she gives an account of trapping in the woods as well as an account of the preparation of hides.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 83-85
Description
Review of the Leonora Carrington: The Mexican Years, 1943-1985 exhibit organized by Holly Barnet-Sanchez, essay by Whitney Chadwick, interview by Paul de Angelis, chronology by Salomon Grimberg. The Exhibition was in the Mexico Museum of San Francisco, December 11, 1991 to March 8, 1992.
An exterior photograph of Long Walk participants in front of the Saskatoon Correctional Centre on 16 August 1983. The man in the centre is Jake Badger (died in the mid-1980s) and the man in the wheelchair is elder Philip Nicotine.
One scanned image shows an unidentified woman and man at the press conference held by the Metis Assembly; presumably in Prince Albert, SK on June 29, 1983.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 36-43
Description
Author looks at how contemporary artists have incorporated aspects of the dominant culture into their works and transformed such elements to suit their purposes.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
Art Journal, vol. 51, no. 3, Fall, 1992, pp. 74-80
Description
Discusses the case of Jimmie Durham and the 1990 Indian Arts and Crafts Act that specified what can be represented as Indian art and who is eligible to produce these works.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 74-80
Description
Discusses the Indian Arts and Crafts Act of 1990 (United States) and the artist's response, as illustrated in his art, is that "authenticity" is another concept designed to keep Native Americans enclosed in "their world" through a label imposed by Euro-Americans.
A Discussion on the visual style, cultural infusion and impact of the 2014 video game Never Alone. The game is based off the Iñupiat legend of Kanuk Sayuka and was created in cooperation with elders, storytellers, and artists from the Cook Inlet Tribal Council.
Duration: 50:01.
Art History Thesis (M.A.)--Oklahoma State University, 2017
Refers to the works of Horace Poolaw, Dallin Maybee, Arthur Amiotte, Jay Polite Labor, and Wendy Red Star
Canada's History, vol. 97, no. 1, February/March 2017, pp. 30-31
Description
Article contains two pieces of art depicting, 'opposing views' of the 1876 Battle of Greasy Grass or the Battle of Little Bighorn involving George Custer.
Describes the significance of some ledger-type Assiniboine drawings by an unknown artist and how they record a lifestyle that has disappeared from the Canadian Plains.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn 1992, pp. 59-65
Description
Surveys works of contemporary artists including: Gerald McMaster, Lawrence Paul, Shelley Niro, Bill Powless, Jane Ash Poitras, and Joanne Cardinal-Schubert.