Aboriginal Art Displayed for Vincent Massey Students
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Womens Council of Saskatchewan Meeting
Accord Agreement Signing between FSIN and Federal Government
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
Alex Cywink Interview #1
Angelique Merasty: Birch Bark Artist
[Anglican Church]
Archival Photographs in Perspective: Indian Residential School Images of Health
Arsene Fontaine Interview #1
Artists, Weavers, Movers and Shakers
"Authenticity" and the Contemporary Northwest Coast Indian Art Market
Baker Lake Wall-Hangings: Starting from Scraps
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
BeauDril Worker At Work
[BeauDril Worker at Work]
Benjamin West's 'Indian Family'
The Beothuk of Newfoundland: A Vanished People
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bibliography of Kate Peck Kent
[Book Reviews]
"Buffalo Bill" and the Siouan Image
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Ceremonial Robes of the Montagnais-Naskapi
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Clara Pratt Interview #2
A Collection Without Parallel Sees the Light of Day
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Disposable Red Woman: Guerrilla Art
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.