Lakota Women's Artistic Strategies in Support of the Social System
Liminality and Incorporation in the Art of the Tlingit Shaman
Long Walk participants in front of Correctional Centre
Lydia Somers Interview
Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings
Art History Major Research Paper (M.A) - Ontario College of Art & Design University, 2018.
Mark Wolfleg Sr. Interview
Metis Assembly Press Conference
National Indian and Metis Friendship Centres Meeting in Prince Albert
Navajo Sandpainting: From Religious Act to Commercial Art
Ninstints: Haida World Heritage Site
Norman Nashkawa Interview
North American Indian Designs
North American Indian Photographs/Images
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Norval Morrisseau: Recent Work
Painting Native America in Public: American Indian Artists and the New Deal
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Performing Archive: Curtis + "the vanishing race"
Picking Up the Pieces: The Making of the Witness Blanket
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.
Rachel Robinson Interview
“Rather Unusual Stuff”: Nathan Jackson's Early Advent of a Tlingit Modern
Remediating the “Famous Indian Artist”: Native Aesthetics beyond Tourism and Tragedy
Report on the Impact of Inauthentic Art and Craft in the Style of Frist Nations Peoples
Representations of Missing and Murdered Indigenous Women in Canadian Art
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36
Robert Houle: Life & Work
Rock Paintings: A Key To The Past
Saskatchewan Indian Cultural College
Shadow Catchers: Photographs of Native Americans from the Huntington Library
An exhibition at the Virginia Steele Scott Gallery
The Simms Collection of Plains Cree Material Culture From Southeastern Saskatchewan
Speaking Our Truth: A Journey of Reconciliation: Teachers' Resource Guide
For use with the book by Monique Gray Smith. Includes summary, essential questions, key concepts, vocabulary and learning activities for each chapter of book. Recommended for ages 9-13.
The Time of Things: The Continuum of Indigenous Customary Practice into Contemporary Art
Catalogue for exhibition of the same name which featured works by Daphne Boyer, Maureen Gruben, Susan Pavel, Skeena Reece, and Marika Echachis Swan.
Toward a Native Archive: Chicago's Relocation Photos, Indian Labor, and Indigenous Public Text
Traces / Re-Traced: Reconstructing Identity: An Interdisciplinary Exhibition
The Tsimshian: Images of the Past: Views For the Present
Unsettling the Archive: Intervention and Parody in Contemporary Indigenous Photography
Wendy Red Star: Challenging Colonial Histories and Foregrounding the Impacts of Violence Against Indigenous Women
Art History Thesis (BA) -- University of Colorado, 2018.
The White Woman’s Indian: Laura Gilpin in the American Southwest
Wigwas: Bark Biting
Historical note: