Mazinigwaasowin = Beadwork
Documents & Presentations
Author/Creator
Nagaajiwanaang Genawendangig Anishinaabemowin
Description
Colouring book with text in Ojibwe and English.
Colouring book with text in Ojibwe and English.
Four videos discuss history and techniques of finger weaving, embroidery, rug-making, and beadwork.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.Historical note:
David Ahenakew (born July 28, 1933) is a Canadian First Nations politician, and former National Chief of the Assembly of First Nations. Ahenakew is a controversial public figure in Canada due to anti-semetic comments regarding World War 2 and the Holocaust.Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.