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8th Fire Guide for Educators
8th Fire: Indigenous in the City
Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Research Resources
Adding Value: Rethinking Late 19th-Century Torres Strait Islander Drawings in Anthropological Inquiry
[Alena Rosen, Inuit Art, Inuit Voices: The Possibility of a Critical Inuit Art Discourse]
Alex Janvier: Reflections
Alex Janvier's Morning Star: A Metaphor for Canada’s Competing Cultures
All My Relations: Biennale of Sydney 2012
Allen Sapp Has Earned Respect of Both Cultures
Aluminum Sioux Camps
[American Eyes on Aboriginal Art]
American Indian Arts and Crafts: The Misrepresentation Problem
American Indian Women as Art Educators
American Indians and Popular Culture: Volume 2: Literature, Arts, and Resistance
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Antler Hair Combs
Discusses characteristics of different types of combs and their uses.
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artifakes, Forgeries, and Misattributions on the Pacific Northwest Coast
Artist Corrine Hunt Mixes Traditional Art with Commercial Viability
Arts and Crafts, Culture and Environment: Triple Treat in Phoenix
Autobiographic Narrative in the Drawings of Napachie and Annie Pootoogook
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
The Battle of Cut Knife Hill: Harriet Yellowmud Remembers
Bazaar Artist: Felicia Huarsaya Vilasante Weaving Futures by Hand
Bazaar Artists: Project Have Hope — Investing in Women and the Future of Uganda
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond True or False?: The Artificial Authenticities of Edward S. Curtis: Responses and Reactions
Brian Jungen
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
Buffalo Narrows Trapper John Hansen
Bullets, Teeth and Photographs: Recognising Indigenous Australians Between the Wars
Ceramics and Polity in the Casas Grandes Area, Chihiuahua, Mexico
Challenging Dialogue: Current Relationships between Aboriginal and non-Indigenous Art and Artists
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Close Encounters: The Next 500 Years
The Coast Salish Knitters and the Cowichan Sweater: An Event of National Historic Significance
Color Symmetry: A Comparative Analysis of Contemporary and Native American Art
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Community, Conflict, Difference: New Genre Public Art in Winnipeg
Consultation of the Muses
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.