Inuit Art Quarterly, vol. 16, no. 3, Fall, 2001, pp. 22-23
Description
Curatorial notes for an exhibition of the same name mounted at the University of Delaware Art Gallery, Newark, Delaware, October 19 to December 17, 2000.
Entire issue on one pdf. To access article, scroll to page 22.
Scanned image shows four young students in winter clothing in what appears to be a sled race at a winter carnival held at the Prince Albert Student Residence on March 25, 1975. (bad quality photo)
A set of 77 photographs taken in the small community of Sucker River, north of La Ronge, in 1975-76. The community mounted a project to make as many "old things" as the 14 participants in the project could remember from the old days. Many of the objects were made as models, as time and materials did not allow for full-size items.
A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of two First Nations men in traditional garb, and a City Official at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
American Indian Culture and Research Journal, vol. 25, no. 2, 2001, pp. 37-61
Description
Examines the work of Frederick Alexie (Frederick Alexcee), a Tsimshian carver and painter and Mathias Joe, a Squamish carver, during the assimilation policy period of 1867-1951 in British Columbia.
A photograph of two First Nations child dancers in traditional garb, and a drum circle, at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of two First Nations men and children in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
A photograph of First Nations man in traditional garb at a ceremony to celebrate the giving of a totem pole to the City of Prince Albert, 1975. The man is recieving a plaque from what appears to be a City official. The pole was carved by a First Nations man originally from British Columbia, and currently stands along the North Saskatchewan River near the Prince Albert Historical Museum.
File contains a negative from a ceremony held in Prince Albert, Saskatchewan by the Urban Indian Association to honour graduates on May 2, 1970. Image shows men receiving diplomas on stage.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 4-10
Description
Comments on the mix of cultural experiences, the arctic way of life, and urbanization that are forming a new genre of Inuit art.
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 16, no. 3, Fall, 2001, pp. 30-39
Description
Study shows that non-Inuit evaluations of Inuit art are inconsistent as opposed to Inuit evaluations which are more consistent.
Entire issue on one pdf. To access article, scroll to page 30.