Face 3 - Snake and Blob
Face 6
Faces 4, 5, and 6
Faces 4 and 5
"Faces We Remember": Assessing Visual Memory Depth among the Yupik of Chukotka and St. Lawrence Island
Examines the visual memories of Yupik and Chukotka elders based on historical photographs and the importance of physical visual collections.
First Aid Class at Indian Residential (All Saints) School
Framing the Past
Francis (Jimmy) Batiste
"Free Your Mind," from the Series Crazymaking (2007)
From Breath to Beadwork: Lessons Learned From a Trauma- Informed Yoga Series With Indigenous Adolescent Girls Under Youth Protection
Examines the use of culture with yoga and meditation as means to help at-risk Indigenous youth.
From the Caribbean to the South Pacific: Cultural Hybridity, Resistance, and Historical Difference
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
General View of Cemetery
Geology of National Parks, 3D and Photographic Tours: American Indians of the Southwest, 1871-1875
George Catlin and His Indian Gallery – Classroom Activities
Glimpsing Our Past: An Archival Photo Project
Graves
The Great Shimmering
Group of Six Coloring & Activity Book
Artwork designed by youth artists from the Six Nations, Grand River Territory.
Group to South
Hlk’yak’ii: To Start a Fire
Catalogue for exhibition of the same name.
Ideals of Authenticity: Euro-American Sculptural Representations of Native Americans at the World’s Columbian Exposition of 1893
(illegible) present to Indian School [Prince Albert]
In/consequential Relationships: Refusing Colonial Ethics of Engagement in Yuxweluptun’s Inherent Rights, Vision Rights
In the Balance: Indigeneity, Performance, Globalization
"Indian Log House and Smoking Teepee"
Indian Photographs: Amelia Frost and the Presbyterian Mission
Indian School Tea WA Candy Selling
"Indian Shaping Ribs for Canoe with Axe"
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous Artists, Ingenuity, and Resistance at the California Missions After 1769
Indigenous Protocols for the Visual Arts: A Practical Guide for Navigating the Complex World of Indigenous Protocols for Cultural Expressions in the Visual Arts Sector
Information for Indigenous peoples and artists, as well as non-Indigenous audiences wanting to engage with communities.
Indigenous Women and Street Gangs: Survivance Narratives
Inside Anglican Church at Apex
Inside Anglican Church at Apex
[Interior of Inuit Craft Shop]
Interpretive Guide and Hands-on Activites: The Alberta Foundation for the Arts Travelling Exhibition Program: ᐊᐧᐃᐧᓯᐦᒋᑲᐣ = Wawisihcikan = Adornment
Lesson plans for elementary and secondary school students for exhibition featuring works by Elaine Alexie, Erik Lee, and Carmen Miller. Topics include First Nations groups of central Alberta and the Boreal forest, brief survey of Indigenous art in the twentieth century, abstract art, and First Nations traditional art forms and materials.