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8th Fire Guide for Educators
8th Fire: Indigenous in the City
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Research Resources
Adding Value: Rethinking Late 19th-Century Torres Strait Islander Drawings in Anthropological Inquiry
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
[Alena Rosen, Inuit Art, Inuit Voices: The Possibility of a Critical Inuit Art Discourse]
Alex Janvier: Reflections
Alex Janvier's Morning Star: A Metaphor for Canada’s Competing Cultures
All My Relations: Biennale of Sydney 2012
Allen Ahenakew and E.R. Conn
Aluminum Sioux Camps
[American Eyes on Aboriginal Art]
American Indian Arts and Crafts: The Misrepresentation Problem
American Indians and Popular Culture: Volume 2: Literature, Arts, and Resistance
Antler Hair Combs
Discusses characteristics of different types of combs and their uses.
Artifakes, Forgeries, and Misattributions on the Pacific Northwest Coast
Artist Corrine Hunt Mixes Traditional Art with Commercial Viability
Autobiographic Narrative in the Drawings of Napachie and Annie Pootoogook
The Basketmaker
The Battle of Cut Knife Hill: Harriet Yellowmud Remembers
Bazaar Artist: Felicia Huarsaya Vilasante Weaving Futures by Hand
Bazaar Artists: Project Have Hope — Investing in Women and the Future of Uganda
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beyond True or False?: The Artificial Authenticities of Edward S. Curtis: Responses and Reactions
Brian Jungen
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
[Buffalo hunt] - Perehudoff painting
Bullets, Teeth and Photographs: Recognising Indigenous Australians Between the Wars
Ceramics and Polity in the Casas Grandes Area, Chihiuahua, Mexico
Challenging Dialogue: Current Relationships between Aboriginal and non-Indigenous Art and Artists
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Close Encounters: The Next 500 Years
The Coast Salish Knitters and the Cowichan Sweater: An Event of National Historic Significance
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Community, Conflict, Difference: New Genre Public Art in Winnipeg
Consultation of the Muses
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.