Allen Ahenakew, Interpreter, and E.R. Conn, Federal Supervisor of Indian Affairs, at microphones at the Trappers Convention in Prince Albert, SK, 1961.
Part I: Cultural Protection: The Story of a Saanich Bowl
Articles » Scholarly, peer reviewed
Author/Creator
Diana Henry
University of British Columbia Law Review, Special Issue: Material Culture in Flux: Law and Policy of Repatriation of Cultural Property, 1995, pp. [5]-11
Description
Member of the Saanich Native Heritage Society describes efforts to prevent the sale of an ancient West Coast Saanich bowl to an American dealer, and to have this cultural property returned to their people.
The plaque at the base of the Bear Pole. Victoria, B.C. On plaque: "1966 Project of Native Indians' participation Centennial Sub-Committee to Commemorate the Union in 1866 of the Colonies on Vancouver Island and the Mainland as British Columbia Kwakiutl Bear Pole carved by Mr. Henry Hunt of the Kwawkewlth Indian Band at Victoria, B. C. Log donated by MacMillan, Bloedel & Powell River Limited."
Inuit Art Quarterly, vol. 10, no. 4, Winter, 1995, pp. 4-13
Description
Elaborates on the three basics of maintaining an art collection: prevention, conservation and restoration.
Entire issue on one pdf. To access article, scroll to page 4.
Program relating to art work used in the newly-renamed The Centre at Circle and Eighth in Saskatoon, formerly the Circle Park and Wildwood malls. Aboriginal artists and themes are featured; project coordinator is Cecilia Cote.
Art Journal, vol. 54, no. 3, Rethinking the Introductory Art History Survey, Autumn, 1995, pp. 72-75
Description
Comments how course content is arranged to give the student a multicultural introduction to the art of five cultures; those identified as the major ethnic groups in the United States.
Inuit Art Quarterly, vol. 10, no. 3, Fall, 1995, pp. 22-30
Description
Looks at a printmaking program, started by Father Henri Tardy, as a means for economic growth in the community.
Entire issue on one pdf. To access article, scroll to page 22.
Inuit Art Quarterly, vol. 10, no. 1, Spring, 1995, pp. 26-36
Description
Review of Exhibition and book:
Isumavut: The Artistic Expression of Nine Cape Dorset Women at the Canadian Museum of Civilization, Hull, Quebec, October 6, 1994 to March 3, 1996.
Inuit Women Artists: Voice From Cape Dorset edited by Odette Leroux, Marion E. Jackson, and Minnie Aodla Freeman.
Entire issue on one pdf. To access article, scroll to page 26.
A brief overview of the history of Fort Battleford created for Fort Battleford National Historic Park in 1961. Produced by the Department of Northern Affairs and National Resources: National Historic Sites Division. The booklet covers the Forts origins as a police post, the events of the 1885 uprising, and the decline of the fort as well as the establishment of a park.
Consists of an interview on the origins of the Holy Lodge; the story of the Holy Turnip (same story as IH-AA.020); the story of the elk woman and her jealous husband; the story of the widows who offered themselves to the sun and how these events led to the offering ceremony and then to the Holy Lodge (This account continues on IH-AA.112)
Inuit Art Quarterly, vol. 10, no. 3, Fall, 1995, pp. 6-14
Description
Comments on the unsuitability of Western art history approaches to the critical analysis of Inuit art.
Entire issue on one pdf. To access article, scroll to page 6.
Consists of an interview with George First Rider where he gives an account of the original Holy Lodge. (It is a follow-up to IH-AA.112)Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
Consists of an interview with George First Rider where he tells a story of the Horn Society and gives a description of Horn Society dances. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
File contains 17 negatives from the Indian and Metis Days Parade, Prince Albert, SK, June 20, 1970. All 17 images depict people in traditional dress on automobiles in a parade procession, presumably in downtown Prince Albert.
File contains 2 negatives from the Official opening of the Prince Albert Indian and Metis Friendship Centre, Prince Albert, Saskatchewan, June 19, 1970. Images show four officials (including one in traditional headress) cutting the ribbon to officially open the Centre.
The picture shows some Aboriginal men sitting at school desks in the foreground, with a crowded group of mainly Aboriginal people at the back of the room. The political dignitaries are not visible.
File contains 10 negatives from the Indian Metis Days Pow Wow and Sports Events held in Prince Albert, SK on June 21, 1970. All images show Pow Wow dancers in traditional dress.
File contains 4 negatives of performers on stage at the Indian Metis [illegible] Concert on November 24, 1961. The first negative shows a young boy on stage performing a dance. The second shows a man playing the accordion. The third shows a large group of women singing with alongside a piano playing accompaniest. The fourth shows a man with a guitar accompanying a woman singing. The fifth shows a man either singing or announcing at a microphone.
"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and polices of the time.
"National publication for the Indians of Canada". Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and polices of the time.
Scanned negative shows female students in uniform with an instructor on Visiting Day held on March 8, 1961 at the Prince Albert Indian School (presumably All Saints Residential School).