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8th Fire: At the Crossroads
8th Fire Guide for Educators
8th Fire: Indigenous in the City
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Research Resources
Adding Value: Rethinking Late 19th-Century Torres Strait Islander Drawings in Anthropological Inquiry
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
[Alena Rosen, Inuit Art, Inuit Voices: The Possibility of a Critical Inuit Art Discourse]
Alex Janvier: Reflections
Alex Janvier's Morning Star: A Metaphor for Canada’s Competing Cultures
All My Relations: Biennale of Sydney 2012
Aluminum Sioux Camps
[American Eyes on Aboriginal Art]
American Indian Arts and Crafts: The Misrepresentation Problem
American Indians and Popular Culture: Volume 2: Literature, Arts, and Resistance
Antler Hair Combs
Discusses characteristics of different types of combs and their uses.
Archival Photographs in Perspective: Indian Residential School Images of Health
Artifakes, Forgeries, and Misattributions on the Pacific Northwest Coast
Artist Corrine Hunt Mixes Traditional Art with Commercial Viability
Autobiographic Narrative in the Drawings of Napachie and Annie Pootoogook
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
The Battle of Cut Knife Hill: Harriet Yellowmud Remembers
Bazaar Artist: Felicia Huarsaya Vilasante Weaving Futures by Hand
Bazaar Artists: Project Have Hope — Investing in Women and the Future of Uganda
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Beyond True or False?: The Artificial Authenticities of Edward S. Curtis: Responses and Reactions
Blackfoot
Blackfoot brave with scalps
Blackfoot braves with scalps
"Blackfoot Dandy"
Black and white photograph of a Blackfoot man on horseback in an extravagant traditional regalia and feathered head-dress, subtitled "Blackfoot Dandy".
"Blackfoot Lodge"
"Blood Indian Brave"
"Blood Indian Carrying Tomahawk"
"Blood Indians"
"Blood Indians, McLeod"
Brian Jungen
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
Bullets, Teeth and Photographs: Recognising Indigenous Australians Between the Wars
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Ceramics and Polity in the Casas Grandes Area, Chihiuahua, Mexico
Challenging Dialogue: Current Relationships between Aboriginal and non-Indigenous Art and Artists
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.