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Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
The American Indian in the Great War: Real and Imagined [Part One, Chapter Three]
Art, Native Voice, and Political Crisis: Reflections on Art Education and the Survival of Culture at Kanehsatake
The Artist and the Vision
Arts From the Arctic: A Celebratory Exhibition
The Audience for "Primitive" Art in Houses in the New York Region
Autobiographical Impulses and Female Identity in the Drawings of Napachie Pootoogook
The Basketmaker
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Blackfoot
Blackfoot brave with scalps
Blackfoot braves with scalps
"Blackfoot Dandy"
Black and white photograph of a Blackfoot man on horseback in an extravagant traditional regalia and feathered head-dress, subtitled "Blackfoot Dandy".
"Blackfoot Lodge"
"Blood Indian Brave"
"Blood Indian Carrying Tomahawk"
"Blood Indians"
"Blood Indians, McLeod"
Broken Dreams; No Regrets
The Canadian Eskimo Arts Council Did Not Limp Onto the Scene
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Desert Crafts: Anangu Maruku Punu
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
Fine Day
From Health Worker to Health Worker across Australia
George Swinton's new Sculpture of the Inuit
Graffiti to Graphics: Streetwize Aboriginal HIV/AIDS Poster Project
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.