South Atlantic Quarterly, vol. 110, no. 2, Sovereignty, Indigeneity, and the Law, 2011, pp. 465-486
Description
Discusses expressions of sovereignty through the artwork of four contemporary Iroquois artists; G. Peter Jemison, Alan Michelson, Samuel Thomas, and Marie Watt.
The Canadian Journal of Native Studies, vol. 9, no. 2, 1989, pp. 253-272
Description
Replication of these wooden masks, together with the continued carving and use of False Faces, has contributed to the survival and stability of the Iroquois.
Black and white photograph of a young blood farmer driving a car. There are several faces looking out of the back window. All wear western style clothes.
Black and white photograph of a young blood farmer driving a wagon with what appears to be his family. A woman in the back has a large beaded board strapped to her back with baby in moss bag attached.