American Art Journal, vol. 21, no. 2, 1989, pp. 7-21
Description
Discusses artists travels with the Hudson Bay Company passing through territories of nearly eighty Indian Tribes from the Great Lakes to the Pacific Ocean. He produced 500 sketches and eventually painting over 100 canvases.
Inuit Art Quarterly, vol. 4, no. 2, Spring, 1989, p. 42, 44
Description
Discusses the "Coronation Exhibition" of Inuit art mounted in London, England in 1953.
Entire issue on one pdf. To access article scroll down to appropriate page.
Quarterly magazine published by the Museum of the American Indian, Heye Foundation.
Numerous articles on various topics including one on a shrine to Mother Corn.
Black and white photograph of a line of Aboriginal people on horseback participating in a parade at Fort Macleod. They wear traditional clothing and the horses pull travois.
Inuit Art Quarterly, vol. 14, no. 4, Winter, 1999, pp. 36-38
Description
Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 36.
One female child swinging on tire that is suspended by a chain; facing camera. Second female child standing next to tire. Third child obscured by second child. Caption by Dommasch: "Tuktoyaktuk April 1989".
Inuit Art Quarterly, vol. 14, no. 2, Summer, 1999, pp. 34-35
Description
Curatorial notes for exhibition of the same name mounted at the Winnipeg Art Gallery, 1999.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 14, no. 4, Winter, 1999, pp. 4-10
Description
Presents statements made by seven Inuit women carvers regarding personal expression, interpretation, originality and quality in art.
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 14, no. 3, Fall, 1999, pp. 35-37
Description
Curatorial notes for exhibition of the same name mounted at the Canadian Museum of Civilization, Quebec, 2000.
Entire issue on one pdf. To access article, scroll to page 35.
Close-up image of an elderly Kahnespotaytayo holding a head dress. Note on back reads: "Kahnespotaytayo Big Bear's Head Dancer, Rebellion of 1885 Taken 1925."
World Archaeology, vol. 31, no. 2, October 1, 1999, pp. 288-302
Description
Explores the origin and includes photographs of the decorated "octopus" bag and the complex differences in its meaning as it changed hands and moved from one culture to another over a period of time.
Black and white photograph of a group of Peigan men from Montana on horseback in traditional clothing (many wear head-dresses) bearing two American flags at the MacLeod Jubilee Parade.
Black and white photograph of two Wood Cree men present at Frog Lake on the day of the massacre. Moostoos on left, Neeoaquatatoue on right. Both wear western style clothes.
File contains 2 negatives from an unidentified National Chief's Conference Panel (Prince Albert?) held on March 5, 1989. The negatives show a variety of unidentified officials sitting at a table, during a panel discussion.
Inuit Art Quarterly, vol. 14, no. 2, Summer , 1999, pp. 32-33
Description
Curatorial notes for exhibition of the same name mounted at the McMichael Canadian Art Collection, Ontario, 1999 curated by Susan Gustavison, Robert Rainbird and Lyn Anglin.
Entire issue on one pdf. To access article, scroll to page 32.
Black and white photograph of a group of Blood men in traditional clothing. There are some men on horses in the background, and three older men stand in the foreground. The caption on the back reads: "Old Blood Warriors"
Black and White photograph of the only remaining sons of Chiefs Poundmaker and Big Bear. Poundmaker's Son Sakamatayenew is on the left, and Big Bear's son Horse Child is on the right. Both wear western clothing.