Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Collecting Aboriginal Art in the Australian Nation: Two Case Studies
Colonial Photographs and Post-Colonial Histories: The Kanai-Oxford Photographic Histories Project
The Commodification of Polynesian Tattooing: Change, Persistence, and Reinvention of a Cultural Tradition
Commodifications of the Past? An IPinCH KnowledgeBase Bibliography
Congregation outside church
Connect and Divide: The Cell: A Conversation with Edward Poitras
Conquest, Consequences, Restoration: The Art of Rebecca Belmore
Constructing Authenticity: The Indian Arts and Crafts Board and the Eastern Band of Cherokees, 1935-1985
Contemporary Interpretation of an Unusual Navajo Weaving Technique
Contemporary Native American Women Artists: Visual Expressions of Feminism, the Environment, and Identity
Contradictions in Indian Art: Contemporary Native American Arts and the National Museum of the American Indian
Creative Arts, Culture, and Healing: Building an Evidence Base
"A Cree Indian Brave"
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Ed Peekeekoot: Musician, Artist, Visionary
Entrelacs: Ontologie Métisse et Poïétique Dialogique
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Eskimo Drawings
The Evolution of Beaded Baskets
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Eye Contact: Photographing Indigenous Australians
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.