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Acts of Empathic Imagination: Contemporary Native American Artists and Writers as Healers
Almighty Voice Jr. and twins
American Indian Textiles: 2,000 Artist Biographies: vol.3
Analytical Techniques in the Analysis of Rock Art
Anilnik Peelaktoak
Archival Photographs in Perspective: Indian Residential School Images of Health
Arctic Realism
The Art of Research: Nelson Graburn and the Aesthetics of Inuit Sculpture
Art, Social Power, and Native Peoples: An Analysis of Representations
An Assessment of the Manufacture, Use, Origin, and Nomenclature of Utilitarian Ceramics Produced by Native American Peoples of Orange County, California
Anthropology Thesis (M.A.)--California State University, Fullerton, 2001.
Autoethnography and Material Culture: the Case of Bill Reid
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads: Symbols of Indigenous Cultural Resilience and Value
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Biography: Darren R. Mckenzie
The Birth of the Cooperative at Holman Island
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Camping with the Sioux: Fieldwork Diary of Alice Cunningham Fletcher
Canada Customs, Each-you-eyh-ul Siem (?) Sights/Sites of Meaning in Musquem Weaving
Ceramics and Social Dynamics: Technological Style and Corrugated Ceramics During the Pueblo III to Pueblo IV Transition, Silver Creek, Arizona
A Chance Encounter With Simon Tookoome
The Concept of Duality in Culture and Myths of Lakota Indians
Congregation outside church
Constructed Destinations: Art and Representations of History at the Vancouver International Airport
Contemporary Artist: Toonoo Sharky
Contemporary Traditions in Inuit Art
Cracking the Glass Ceiling: Contemporary Inuit Drawing
"A Cree Indian Brave"
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Culture in the Marketplace: Gender, Art, and Value in the American Southwest
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Disposable Red Woman: Guerrilla Art
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Elisapee Ishulutaq: A Quirky Use of Multiple Perspectives
Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwest Tourist Industry
Emergence from the Shadow: First Peoples' Photographic Perspectives
Entwined with Life: Native American Basketry
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.