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Aboriginal Curatorial Collective / Collectif des commissaires autochtones: Bibliography
An Accidental Teacher: Anthony Walsh and the Aboriginal Day Schools at Six Mile Creek and Inkameep, British Columbia, 1929-1942
AIDS to Native Eyes [Part 1]: Honoring the 1st National Native American AIDS Awareness Day
[AIDS to Native Eyes Part 2]
Almighty Voice Jr. and twins
American Indians Abroad: The Mythical Travels of Mrs. Penobscot and King Hendrick
Art and Expression of the Netsilik
Artist Database: Merasty, Angelique
Artists Create Vivid Images of Nature in Saskatchewan
The Artists' Perspective: Survey Shows Materials are Greatest Need
Assimilation or Resistance?: The Production and Consumption of Tlingit Beadwork
Baker Lake Renaissance
Bart Hanna: Heart of a Wanderer
[Bennie Klain]
Big Nose and his Painted Elk Skin
Billie Kukshuk: "I use carving as a way to defer things that are unsettling in life"
Boyer's True Legacy Lies Within the Future Artists He Inspired
Brief commentary on artist Bob Boyer, known for making political statements about the way Aboriginal people have been treated throughout the years.
Entire issue on one pdf. To access article scroll to p.38.
Brave Hearts and Their Cradles: A Pictorial Presentation of Native American Cradleboards
British and Indian Identities in a Picture by Benjamin West
The Brousseau Inuit Art Collection Hydro-Québec Gallery: Musée national des beaux-arts du Québec
Buffalo Boy at Burning Man: Camp, Mourning and the Forgiving of History in the Work of Adrian Stimson
Case Study: Bob Boyer the Artist
Cheyenne, Comanche, Kiowa
Chilkat Tunics: Toward a Reassessment of the Configurative
Chronology of Daphne Odjig's Life
Co-Publishing in the Visual Arts: The Production of Rebecca Belmore: Fountain for the 2005 Venice Biennale.
Congregation outside church
Contemporary Native Art II: A Bibliography
Contemporary Native Art in a Primitive World
Copper Thunder
Copper Thunderbird by Marie Clements: Study Guide
Cover Artist: Arthur Jack
Cover Artist: Clarence Kapay
"A Cree Indian Brave"
Dance to the Drum: In Celebration
David Itulu: Following a Graphic Impulse
David Ruben Piqtoukun: In Search of a Softer Wind
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Detailed Description: Las Desaparecidas/Missing
"Do Not Park Bicycles!": America Meredith, Dylan Miner, Tania Willard, Terri Saul, Yatika Fields
The Double Entendre of Re-Enactment
Drawings From the Herman Collection: Western Masterpieces and Inuit Masterpieces
"Eloquent Representatives:" A Study of the Native American Figure in the Early Landscapes of Thomas Cole, 1825-1830
Elucidating Abstract Concepts and Complexity in Louise Erdrich's Love Medicine Through Metaphors of Quilts and Quilt Making
Excerpts From Germaine Arnaktauyok's Autobiography
Eye Contact: Photographing Indigenous Australians
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.