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Analysis of Textile Impressions from Pottery of the Selkirk Composite
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
The Ashoona Family of Cape Dorset
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques
The Care and Conservation of Art
Carved From the Land: The Eskimo Museum Collection
A Celebration of the Arts in Saskatoon - 1995.
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Congregation outside church
"A Cree Indian Brave"
A Cross-Cultural Approach
Cross-Cultural Lines of Inquiry: The Drawings of Pitseolak Ashoona
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Date Line: Baker Lake, NWT (July 1995)
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Developing Indigenous Visual Arts Transnationally and Across Genres
Drawing and Printmaking at Holman
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
An Exhibition, A Book, and an Exaggerated Reaction
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.