Almighty Voice Jr. and twins
Analysis of Textile Impressions from Pottery of the Selkirk Composite
Animal Arrays and Geometric Pictorials: Commercial Aspects of Plains Painting
Arches and Awnings: Architecture in the Arctic
Art and Spirit: The Artistic Brain, the Navajo Concept of Hozho, and Kandinsky’s “Inner Necessity”
Artistic Displacements: An Interview with Edgar Heap of Birds
The Ashoona Family of Cape Dorset
Authentic Inuit Art: Creation and Exclusion in the Canadian North
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
Becoming Anthropological: A Cultural Biography of EL Mitchell's Photographs of Aboriginal People
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
Between Modernity and "the Real Thing": Maynard Dixon's Mural for the Bureau of Indian Affairs
Border Crossings: Thomas King's Cultural Inversions
Cape Dorset Annual Print Collection 2003
Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques
The Care and Conservation of Art
Carved From the Land: The Eskimo Museum Collection
Carving Self-Identity: Hopi Katsina Dolls as Contemporary Cultural Expression
The Cast[e]ing of Heroic Landscapes of Power: Constructing Canada's Pantheon on Parliament Hill
A Celebration of the Arts in Saskatoon - 1995.
Change Over Time in the Abundance and Distribution of Black Ash in Nova Scotia: Effects on Mi'kmaq Traditional Use, and Recommendations for the Best Germination Technique for Province Wide Replanting Programs
Chief Lelooska: The Evolution of an Artist
Circulating Aboriginality
Congregation outside church
Constructing Locality in Contemporary Canadian Aboriginal Art
Contemporary American Indian Art: Three Portraits of Native Artists without Masks
Continuity and Creativity in Iroquois Beadwork
Continuum: 12 Artists
Counter Propagandist
Creators: Negotiating the Art World for Over 50 Years
"A Cree Indian Brave"
A Cross-Cultural Approach
Cross-Cultural Lines of Inquiry: The Drawings of Pitseolak Ashoona
[Dana Claxton's Sitting Bull and the Moose Jaw Sioux]
Date Line: Baker Lake, NWT (July 1995)
David Ruben Piqtoukun: Between Two Worlds
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Drawing and Printmaking at Holman
Drawing Past, Present and Future: The Legacy of the Plains Indian Graphic Tradition in the Works of Arthur Amiotte
The Educational Function of Native American Art Shops in Flagstaff, Arizona
Eva Talooki: Her Tribute to Seed Beads, Long-time Jewels of the Arctic
Every Picture Tells a Story by Josie Papialuk
An Exhibition, A Book, and an Exaggerated Reaction
Expanding Knowledge through Dreaming, Wampum and Visual Arts
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.