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Almighty Voice Jr. and twins
American Indian Textiles: 2,000 Artist Biographies: vol.3
Analysis of Textile Impressions from Pottery of the Selkirk Composite
Analytical Techniques in the Analysis of Rock Art
Anilnik Peelaktoak
Arctic Realism
The Art of Research: Nelson Graburn and the Aesthetics of Inuit Sculpture
Art, Social Power, and Native Peoples: An Analysis of Representations
The Ashoona Family of Cape Dorset
An Assessment of the Manufacture, Use, Origin, and Nomenclature of Utilitarian Ceramics Produced by Native American Peoples of Orange County, California
Anthropology Thesis (M.A.)--California State University, Fullerton, 2001.
Autoethnography and Material Culture: the Case of Bill Reid
Back from the Brink: Canada's First Nations' Right to Preserve Canadian Heritage
Bending the Rules: The Montreal Branch of the Woman's Art Association of Canada, 1894-1900
Biography: Darren R. Mckenzie
The Birth of the Cooperative at Holman Island
Camping with the Sioux: Fieldwork Diary of Alice Cunningham Fletcher
Canada Customs, Each-you-eyh-ul Siem (?) Sights/Sites of Meaning in Musquem Weaving
Cape Dorset Impressions: Inuit Stonecut and Stencil Print Techniques
The Care and Conservation of Art
Carved From the Land: The Eskimo Museum Collection
A Celebration of the Arts in Saskatoon - 1995.
Ceramics and Social Dynamics: Technological Style and Corrugated Ceramics During the Pueblo III to Pueblo IV Transition, Silver Creek, Arizona
A Chance Encounter With Simon Tookoome
Congregation outside church
Constructed Destinations: Art and Representations of History at the Vancouver International Airport
Contemporary Artist: Toonoo Sharky
Contemporary Traditions in Inuit Art
"A Cree Indian Brave"
A Cross-Cultural Approach
Cross-Cultural Lines of Inquiry: The Drawings of Pitseolak Ashoona
Culture in the Marketplace: Gender, Art, and Value in the American Southwest
Date Line: Baker Lake, NWT (July 1995)
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
Drawing and Printmaking at Holman
Elisapee Ishulutaq: A Quirky Use of Multiple Perspectives
Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwest Tourist Industry
Emergence from the Shadow: First Peoples' Photographic Perspectives
Entwined with Life: Native American Basketry
An Exhibition, A Book, and an Exaggerated Reaction
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.