Aboriginal Art and Film: The Politics of Representation
Abraham Apakark Anglik Ruben: A View from the Top of the World
Almighty Voice Jr. and twins
The American Indian in the Great War: Real and Imagined [Part One, Chapter Three]
Andrew Qappik's Contemporary Arctic Visions
The Anguish of Snails: Native American Folklore in the West
Anthropologies and Histories of Art : A View from the Terrain of Native North American Art History
Archetypes in Stone
Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum
Art, Native Voice, and Political Crisis: Reflections on Art Education and the Survival of Culture at Kanehsatake
The Art of George Morrison and Allan Houser: The Development and Impact of Native Modernism
Art Therapy as Emotional and Spiritual Medicine for Native Americans Living with HIV/AIDS
The Artificial Horizon: Imagining the Blue Mountains
The Artist and the Vision
Arts and Crafts Purchasing Patterns of Potential Tourists to the Northwest Territories: Results of the 2003 Survey
Arts From the Arctic: A Celebratory Exhibition
Attaching Ornaments to Clothing
The Audience for "Primitive" Art in Houses in the New York Region
Autobiographical Impulses and Female Identity in the Drawings of Napachie Pootoogook
Beadwork Masterpieces: Native American Bandolier Bags
Bear Chief's War Deed Tipi
Bob Boyer and Jeff Thomas
Bridging Art and Audience: Storytelling in the Presence of Historical Art
Broken Dreams; No Regrets
Brokering Aboriginal Art: A Critical Perspective on Marketing, Institutions, and the State
The California Indian Basketweavers Association: A Native Agency for Change and Cultural Continuity
The Canadian Eskimo Arts Council Did Not Limp Onto the Scene
Canadian Inuit Sculpture
Changing Images: Photographic Collections of First People of the Pacific Northwest Coast Held in the Royal British Columbia Museum, 1860-1920
Cheyenne Moccasin Analysis--Revisited
Collecting Aboriginal Art in the Australian Nation: Two Case Studies
Colonial Photographs and Post-Colonial Histories: The Kanai-Oxford Photographic Histories Project
Congregation outside church
Contemporary Native American Women Artists: Visual Expressions of Feminism, the Environment, and Identity
"A Cree Indian Brave"
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Desert Crafts: Anangu Maruku Punu
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Ed Peekeekoot: Musician, Artist, Visionary
Entrelacs: Ontologie Métisse et Poïétique Dialogique
Eskimo Drawings
The Evolution of Beaded Baskets
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Eye Contact: Photographing Indigenous Australians
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.