Search
The Acquisition of Visual Records Relating to Native Life in North America
Aesthetics in a Cross-Cultural Perspective: Some Reflections on Native American Basketry
After the Art Boom, What?: Yupik and Inuit Art: A Resurgence
Almighty Voice Jr. and twins
Anasazi Ceramics as Text and Tool: Toward a Theory of Ceramic Design "Messaging"
Archival Photographs in Perspective: Indian Residential School Images of Health
Art of Ethnography: A Critical Analysis of Edward S. Curtis' The North American Indian
The Artists Speak
Ayumee-Aawach Oomama-Mowan: Speaking to Their Mother
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads: Symbols of Indigenous Cultural Resilience and Value
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
The Black Canoe: Bill Reid and the Spirit of the Haida Gawaii
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Challenging Long-Cherished Beliefs
The Concept of Duality in Culture and Myths of Lakota Indians
Congregation outside church
Cracking the Glass Ceiling: Contemporary Inuit Drawing
"A Cree Indian Brave"
Cross-Cultural Education vs. Modernist Imperialism: The Institute of American Indian Arts
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Defying the Limits
Disposable Red Woman: Guerrilla Art
Early 19th Century Men's Southeast Moccasins in the Creek Style
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
Edgar Heap of Birds
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.