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Aboriginal Womens Council of Saskatchewan Meeting
Aborigines Day Saskatoon. - 21 June 2003. - Slide.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Aborigines Day Saskatoon. - 21 June 2003. - Slides.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Accord Agreement Signing between FSIN and Federal Government
Across the Great Divide: Jimmie Durham's Subversive (Self) Portraits
Áillohaš the Shaman-Poet and His Govadas-Image Drum: A Literary Ecology of Nils-Aslak Valkeapää
Almighty Voice Jr. and twins
American Anthropologist. Vol. 105, No. 4, December 2003.
The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
Angelique Merasty: Birch Bark Artist
[Anglican Church]
The Anguish of Snails: Native American Folklore in the West
Artists in the Arctic
Artists, Weavers, Movers and Shakers
B.C. First Nations Studies [Textbook]
Baker Lake Wall-Hangings: Starting from Scraps
A Bead Box of My Own: The Beadwork of Métis Artist Philomene Umpherville
[BeauDril Worker at Work]
BeauDril Worker At Work
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
The Beothuk of Newfoundland: A Vanished People
Bibliography of Kate Peck Kent
Bone Work from Arviat
Brian Jungen: Cool, Cooler, Coolest
Button Blanket Math: A Primary Unit, Grade 2
Resource for teaching number, pattern and space/shapes by incorporating images and forms used in First Nations art. Includes black line masters.
A Case Study in the Relationship Between Social Complexity and the Organization of Ceramic Production From the Lake Pátzcuaro Basin, Michoacán, Mexico. Volume 1
Coacoochee's Bones: A Seminole Saga
A Collection Without Parallel Sees the Light of Day
Congregation outside church
"A Cree Indian Brave"
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
Duck Lake, Aug. 2003 - Slides.
Historical note:
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
The Eskimos
The European Perception of the Native American, 1750-1850
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.