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Aboriginal Art and Film: The Politics of Representation
Abraham Apakark Anglik Ruben: A View from the Top of the World
Almighty Voice Jr. and twins
Andrew Qappik's Contemporary Arctic Visions
The Anguish of Snails: Native American Folklore in the West
Anthropologies and Histories of Art : A View from the Terrain of Native North American Art History
Archetypes in Stone
Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum
The Art of George Morrison and Allan Houser: The Development and Impact of Native Modernism
Art Therapy as Emotional and Spiritual Medicine for Native Americans Living with HIV/AIDS
The Artificial Horizon: Imagining the Blue Mountains
Arts and Crafts Purchasing Patterns of Potential Tourists to the Northwest Territories: Results of the 2003 Survey
Attaching Ornaments to Clothing
Beadwork Masterpieces: Native American Bandolier Bags
Bear Chief's War Deed Tipi
Bob Boyer and Jeff Thomas
Bridging Art and Audience: Storytelling in the Presence of Historical Art
Brokering Aboriginal Art: A Critical Perspective on Marketing, Institutions, and the State
The California Indian Basketweavers Association: A Native Agency for Change and Cultural Continuity
Canadian Inuit Sculpture
Changing Images: Photographic Collections of First People of the Pacific Northwest Coast Held in the Royal British Columbia Museum, 1860-1920
Cheyenne Moccasin Analysis--Revisited
Collecting Aboriginal Art in the Australian Nation: Two Case Studies
Colonial Photographs and Post-Colonial Histories: The Kanai-Oxford Photographic Histories Project
Congregation outside church
Contemporary Native American Women Artists: Visual Expressions of Feminism, the Environment, and Identity
"A Cree Indian Brave"
Cross-Cultural Study of Sex Differences Found in Drawings by Canadian Inuit and American Children
Decorative Art and Basketry of the Cherokee
pp. 55-86 of Bulletin of the Public Museum of the City of Milwaukee ; v. 2, no. 2.
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
Diefenbaker Funeral
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Ed Peekeekoot: Musician, Artist, Visionary
Entrelacs: Ontologie Métisse et Poïétique Dialogique
Ernabella Arts Inc.
Eskimo Drawings
The Evolution of Beaded Baskets
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Eye Contact: Photographing Indigenous Australians
The Face Pullers: Ch.3 Images - Father Levern OMI and Students of Residential School
Photograph of Father Levern and the students of residential school on Piegan Reserve near Brocket Alberta. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Indian Children
Image of two Indigenous children, a boy and a girl, very young taken on Cold Lake Reserve. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Inside the Rectory
A group of Indigenous peoples in western clothes taken inside of the Rectory in Hobbema Alberta. From left to right, seated and then standing: Miss Goodeye, Marie Louise Little Child, Marguerite Kanowalch-Biche, Eugenie Cardinal, Johnny Little Child. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Leo Gardiner and Friend Share a Drink
Black and white photograph of two young indigenous men, one in full western apparel, and the other in a buckskin jacket drinking at table. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.