Chief Lelooska: The Evolution of an Artist
Circling the Truth
Circulating Aboriginality
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Clothing Power: Hierarchies of Gender Difference and Ambiguity in Moche Ceramic Representations of Human Dress, C.E. 1-850
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
The Commodification of Polynesian Tattooing: Change, Persistence, and Reinvention of a Cultural Tradition
Commodifications of the Past? An IPinCH KnowledgeBase Bibliography
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
Connect and Divide: The Cell: A Conversation with Edward Poitras
Conquest, Consequences, Restoration: The Art of Rebecca Belmore
Constructing Authenticity: The Indian Arts and Crafts Board and the Eastern Band of Cherokees, 1935-1985
Constructing Locality in Contemporary Canadian Aboriginal Art
Contemporary American Indian Art: Three Portraits of Native Artists without Masks
Contemporary Interpretation of an Unusual Navajo Weaving Technique
Continuity and Creativity in Iroquois Beadwork
Continuum: 12 Artists
Contradictions in Indian Art: Contemporary Native American Arts and the National Museum of the American Indian
Counter Propagandist
Creative Arts, Culture, and Healing: Building an Evidence Base
Cree Boys in Front of Old Anglican Mission School at La Ronge
Cree Hunter Standing by Tree
Cree Man Loads Over Portage
Cree Man Portaging
Cree Man Standing by the Montreal River
Cree Woman Holding Baby
Cree Women and Children at La Ronge
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
[Dana Claxton's Sitting Bull and the Moose Jaw Sioux]
Dana Claxton, The Mustang Suite and Hybrid Humour
The Dawn of Translation
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Drawing Past, Present and Future: The Legacy of the Plains Indian Graphic Tradition in the Works of Arthur Amiotte
Duke and Duchess of Devonshire
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Economic Impact Study: Nunavut Arts and Crafts: Final Report
The Educational Function of Native American Art Shops in Flagstaff, Arizona
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Expanding Knowledge through Dreaming, Wampum and Visual Arts
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.