Developing Indigenous Visual Arts Transnationally and Across Genres
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
First Peoples' Heritage, Language & Culture Council
Framing Representation: An Ethnographic Exploration of Visual Sovereignty and Contemporary Native American Art
From a Whisper to a Scream
Germaine Arnktauyok: An Inner Sight
Graphic Indigeneity : Comics in the Americas and Australasia
A Half-Life of Cardio-Pulmonary Function: Poems and Paintings
The Haudenosaunee Flag Raising: Cultural Symbols and Intercultural Contact
Healing through the Photographic Murals of James "Chip" "Jetsonorama" Thomas
High Tech Storytellers, Unsettling Acts, Decolonizing Pedagogies
History of Cape Dorset and the West Baffin Co-operative
How Raven Steals the Sun: Retold and Drawn by Quentin Harris
Salish artist retells the traditional story while drawing step-by-step visual interpretation.
Duration: 1:30:23.
I Am But a Little Woman
Iljuwas Bill Reid: Life & Work
Images Used: Chapter 2 (A Dying Race): "Betty Hunter -- Stoney".
Images Used: Chapter 2 (A Dying Race): "Ethnologist Measuring and Photography Indian".
Images Used: Chapter 2 (A Dying Race): Postcard entitled "Beardy's Warriors".
Images Used: Chapter 2 (A Dying Race): Unidentified Elderly Woman
Imagining and Visualizing “Indianness” in Trudeauvian Canada: Joyce Wieland’s The Far Shore and True Patriot Love
Imagining Drumbytes and Logging in Powwows: Exploring the Production of Community in Canadian-Based Aboriginal New Media Art
In Our Own Words: Bringing Authentic First Peoples Content to the K-3 Classroom
The Inconvenient Indian
Documentary inspired by the non-fiction book of the same name by Thomas King explores historical attitudes and efforts to colonize Indigenous peoples and contemporary expressions of resistance.
Duration: 1h, 29 min.