Counter-Narrative: Brandon Gabriel on Becoming a Visual Storyteller and the Power of Decolonial Art
Creative Arts, Culture, and Healing: Building an Evidence Base
Cultural Passport: Demystifying Traditional Indian Music
and Art
Culturally Responsive Computing for American Indian Youth: Making Activities with Electronic Textiles in the Native Studies Classroom
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
A Curious Clay: The Use of a Powdered White Substance in Coast Salish Spinning and Woven Blankets
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
An Early Seneca Beaded Doll
Economic Impact Study: Nunavut Arts and Crafts: Final Report
[Edgar Heap of Birds]
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
Facing The Past
First Peoples' Heritage, Language & Culture Council
From a Whisper to a Scream
From Huronia to Wendakes: Adversity, Migrations, and Resilience, 1650-1900
Fully Contoured Beadwork: A Definition of the Technique
The Grand Hall: First Peoples of Canada's Northwest Coast; Treasures of the Royal British Columbia Museum and Archives
Grant Writing Toolkit
The Grey Nuns Northwest Territory Collection: Embroidery in the Mackenzie Valley
Anthropology Thesis (M.A.)--University of Victoria, 2016.