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Aboriginal American Weaving
Alex Janvier
Andean Success Stories and Representations of Nature in Andean Textiles
Arctic Spirit: Inuit Art from the Albrecht Collection at the Heard Museum
Art This Way: Decolonizing Art with Arthur Renwick
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Arts Project Tackles Regina's Notorious North End Social Problems
Baker Lake Prints: 2008 Collection
Beadwork Storytellers: A Visual Language
Beyond Lip Service: An Analysis of Labrets and Their Social Context on the Pacific Northwest Coast of British Columbia
Bibliography for S'abadeb-- The Gifts: Pacific Coast Salish Art and Artists
The Birch Bark Eater and the Crisis of Ethical Knowledge in Storytelling
Bishop Newnham distributing a treat to the Native peoples
Book Reviews
Border Crossings: The Cultural Brokerage and Artistic Practice of David Ruben Piqtoukun
Brain Tan Buffalo Robes Skins and Pelts: Making Beautiful Leather the Natural Way
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Can Arts-Researchers Go Where Artists Go? Questions of Interpretation and Practice as Played Out In, and Through the Work of the Canadian Artist, Rebecca Belmore
Cape Dorset Annual Print Collection 2007: Official Openings October 19, 2007 at Various Galleries in Canada, the United States and Europe
Caroline John Master Craft Person Still Going Strong at 88
The Changing Symbolism of Flags in Plains Indian Cultures
Chasms and Collisions: Native American Women's Decolonial Labor
Chocolate Woman Visions an Organic Dramaturgy: Blocking-Notation for the Indigenous Soul
Circumstances Alter Photographs: Captain James Peters and the War of 1885
Coast Salish Weaving: Preserving Traditional Knowledge with New Technology
Comic Art
Comments on Kenojuak's Career and the Future of Inuit Art
Contemporary Indigenous Arts in the Classroom
Cowboys and Indians: The American West in German Art of the Twentieth Century
Crafts, Boys, Ernest Thompson Seton, and the Woodcraft Movement
Creating Collaborative Visions with Aboriginal Women: A Photovoice Project
Cross-Border Trading: Mungo Martin Carves for the World of Tomorrow
The Crow-Plateau Style Otterskin Bow Case-quiver
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Doing Cross-Cultural Research: Ethical and Methodological Perspectives
Double Take: Tourism & Photography Endeavors among the Northern Pueblos of the Rio Grande
The Drawings and Paintings of Daphne Odjig: A Retrospective
Dugout Canoe Photographs
Edgar Heap of Birds
Edward Curtis Meets the Kwakwaka'wakw: In the Land of the Head Hunters
Emendatio
Encounters
Entre-Deux Mondes: Métissage, Identité et Histoire: Sur les Traces de Sonia Robertson, Sylvie Paré et Rebecca Belmore, ou les Parcours Artistiques de Trois Femmes Artistes Autochtones, Entre la Mémoire et l'Audace
Equality
Exiled, Executed, Exalted: Louis Riel, Homo Sacer and the Production of Canadian Sovereignty
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.