Coast Salish Weaving: Preserving Traditional Knowledge with New Technology
Comic Art
Comments on Kenojuak's Career and the Future of Inuit Art
The Commodification of Polynesian Tattooing: Change, Persistence, and Reinvention of a Cultural Tradition
Commodifications of the Past? An IPinCH KnowledgeBase Bibliography
Connect and Divide: The Cell: A Conversation with Edward Poitras
Conquest, Consequences, Restoration: The Art of Rebecca Belmore
Constructing Authenticity: The Indian Arts and Crafts Board and the Eastern Band of Cherokees, 1935-1985
Contemporary Interpretation of an Unusual Navajo Weaving Technique
Contradictions in Indian Art: Contemporary Native American Arts and the National Museum of the American Indian
Cowboys and Indians: The American West in German Art of the Twentieth Century
Crafts, Boys, Ernest Thompson Seton, and the Woodcraft Movement
Creating Collaborative Visions with Aboriginal Women: A Photovoice Project
Creative Arts, Culture, and Healing: Building an Evidence Base
Cross-Border Trading: Mungo Martin Carves for the World of Tomorrow
The Crow-Plateau Style Otterskin Bow Case-quiver
Curatorial Practice in Anthropology: Organized Space and Knowledge Production
Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Equestrian Monument
Dana Claxton, The Mustang Suite and Hybrid Humour
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Doing Cross-Cultural Research: Ethical and Methodological Perspectives
Double Take: Tourism & Photography Endeavors among the Northern Pueblos of the Rio Grande
The Drawings and Paintings of Daphne Odjig: A Retrospective
Dugout Canoe Photographs
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Edgar Heap of Birds
Edward Curtis Meets the Kwakwaka'wakw: In the Land of the Head Hunters
Emendatio
Encounters
Entre-Deux Mondes: Métissage, Identité et Histoire: Sur les Traces de Sonia Robertson, Sylvie Paré et Rebecca Belmore, ou les Parcours Artistiques de Trois Femmes Artistes Autochtones, Entre la Mémoire et l'Audace
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Exiled, Executed, Exalted: Louis Riel, Homo Sacer and the Production of Canadian Sovereignty
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.