Search
Aboriginal American Weaving
Alfredo Rodriguez
Animal Arrays and Geometric Pictorials: Commercial Aspects of Plains Painting
Arches and Awnings: Architecture in the Arctic
Archival Photographs in Perspective: Indian Residential School Images of Health
Art and Spirit: The Artistic Brain, the Navajo Concept of Hozho, and Kandinsky’s “Inner Necessity”
Artistic Displacements: An Interview with Edgar Heap of Birds
Authentic Inuit Art: Creation and Exclusion in the Canadian North
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads: Symbols of Indigenous Cultural Resilience and Value
Becoming Anthropological: A Cultural Biography of EL Mitchell's Photographs of Aboriginal People
Between Modernity and "the Real Thing": Maynard Dixon's Mural for the Bureau of Indian Affairs
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bishop Newnham distributing a treat to the Native peoples
Border Crossings: Thomas King's Cultural Inversions
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Cape Dorset Annual Print Collection 2003
Carving Self-Identity: Hopi Katsina Dolls as Contemporary Cultural Expression
The Cast[e]ing of Heroic Landscapes of Power: Constructing Canada's Pantheon on Parliament Hill
Change Over Time in the Abundance and Distribution of Black Ash in Nova Scotia: Effects on Mi'kmaq Traditional Use, and Recommendations for the Best Germination Technique for Province Wide Replanting Programs
Chief Lelooska: The Evolution of an Artist
Circulating Aboriginality
The Concept of Duality in Culture and Myths of Lakota Indians
Constructing Locality in Contemporary Canadian Aboriginal Art
Contemporary American Indian Art: Three Portraits of Native Artists without Masks
Continuity and Creativity in Iroquois Beadwork
Continuum: 12 Artists
Counter Propagandist
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Creators: Negotiating the Art World for Over 50 Years
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
[Dana Claxton's Sitting Bull and the Moose Jaw Sioux]
David Ruben Piqtoukun: Between Two Worlds
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Disposable Red Woman: Guerrilla Art
Drawing Past, Present and Future: The Legacy of the Plains Indian Graphic Tradition in the Works of Arthur Amiotte
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
The Educational Function of Native American Art Shops in Flagstaff, Arizona
Eva Talooki: Her Tribute to Seed Beads, Long-time Jewels of the Arctic
Every Picture Tells a Story by Josie Papialuk
Expanding Knowledge through Dreaming, Wampum and Visual Arts
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.