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Aboriginal American Weaving
Aboriginal Interventions Into the Photographic Archives: A Dialog Between Carol Payne and Jeffrey Thomas
Afterword: Antiracist Activism in the Arts Community
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art Toronto 2001
Asingit: Inuit Art from the Macdonald Stewart Centre
Assimilation and Difference: Two Recent Exhibitions of Archival Photographs
Auctioning Inuit Art
Avataq Cultural Institute: Keeping Inuit Culture Afloat
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Baskets: Carrying a Culture: The Distinctive Regional Styles of Basketmaking Nations in the Pacific Northwest
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Bill Reid (1920-1998): In Memoriam
Bishop Newnham distributing a treat to the Native peoples
Border Under Siege: An Author's Attempt to Reconcile Two Cultures
Building Aboriginal Economies
Campfire Stories with George Catlin: an Encounter of Two Cultures
Carry It On For Me: Tradition and Familial Bonds in the Art of Acoma
Cloth & Clay: Communicating Culture
Colonial Photography and Exhibitions: Representations of the 'Native' and the Making of European Identities
Colonialism's Afterlife: Vision and Visuality on the Northwest Coast
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Competition and Consumer Issues for Indigenous Australians
Construction of the Mythic Indian in Mainstream Media and the Demystification of the Stereotype by American Indian Artists
Consumers of Indigenous Canadian Aboriginal Textile Crafts
Creating an Enchanted Land: Curio Entrepreneurs Promote and Sell the Indian Southwest, 1880-1940
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Depicting the Inner Reality: A Conversation with Joel Maniapik
Developing Indigenous Visual Arts Transnationally and Across Genres
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
The Experimental 1860s: Charles Walter's Images of Coranderrk Aboriginal Station, Victoria
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.