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Alfredo Rodriguez
Animal Arrays and Geometric Pictorials: Commercial Aspects of Plains Painting
Arches and Awnings: Architecture in the Arctic
Art and Expression of the Netsilik
Art and Spirit: The Artistic Brain, the Navajo Concept of Hozho, and Kandinsky’s “Inner Necessity”
Artistic Displacements: An Interview with Edgar Heap of Birds
Artists Create Vivid Images of Nature in Saskatchewan
Authentic Inuit Art: Creation and Exclusion in the Canadian North
Becoming Anthropological: A Cultural Biography of EL Mitchell's Photographs of Aboriginal People
Between Modernity and "the Real Thing": Maynard Dixon's Mural for the Bureau of Indian Affairs
Billie Kukshuk: "I use carving as a way to defer things that are unsettling in life"
Bishop Newnham distributing a treat to the Native peoples
Border Crossings: Thomas King's Cultural Inversions
British and Indian Identities in a Picture by Benjamin West
Cape Dorset Annual Print Collection 2003
Carving Self-Identity: Hopi Katsina Dolls as Contemporary Cultural Expression
Case Study: Bob Boyer the Artist
The Cast[e]ing of Heroic Landscapes of Power: Constructing Canada's Pantheon on Parliament Hill
Change Over Time in the Abundance and Distribution of Black Ash in Nova Scotia: Effects on Mi'kmaq Traditional Use, and Recommendations for the Best Germination Technique for Province Wide Replanting Programs
Chief Lelooska: The Evolution of an Artist
Circulating Aboriginality
Constructing Locality in Contemporary Canadian Aboriginal Art
Contemporary American Indian Art: Three Portraits of Native Artists without Masks
Contemporary Native Art II: A Bibliography
Continuity and Creativity in Iroquois Beadwork
Continuum: 12 Artists
Counter Propagandist
Cover Artist: Arthur Jack
Cover Artist: Clarence Kapay
Creators: Negotiating the Art World for Over 50 Years
[Dana Claxton's Sitting Bull and the Moose Jaw Sioux]
Dance to the Drum: In Celebration
David Itulu: Following a Graphic Impulse
David Ruben Piqtoukun: Between Two Worlds
Drawing Past, Present and Future: The Legacy of the Plains Indian Graphic Tradition in the Works of Arthur Amiotte
Drawings From the Herman Collection: Western Masterpieces and Inuit Masterpieces
The Educational Function of Native American Art Shops in Flagstaff, Arizona
"Eloquent Representatives:" A Study of the Native American Figure in the Early Landscapes of Thomas Cole, 1825-1830
Eva Talooki: Her Tribute to Seed Beads, Long-time Jewels of the Arctic
Every Picture Tells a Story by Josie Papialuk
Excerpts From Germaine Arnaktauyok's Autobiography
Expanding Knowledge through Dreaming, Wampum and Visual Arts
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.