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Acts of Empathic Imagination: Contemporary Native American Artists and Writers as Healers
American Indian Textiles: 2,000 Artist Biographies: vol.3
Analytical Techniques in the Analysis of Rock Art
Anilnik Peelaktoak
Arctic Realism
Art and Expression of the Netsilik
The Art of Research: Nelson Graburn and the Aesthetics of Inuit Sculpture
Art, Social Power, and Native Peoples: An Analysis of Representations
Artists Create Vivid Images of Nature in Saskatchewan
An Assessment of the Manufacture, Use, Origin, and Nomenclature of Utilitarian Ceramics Produced by Native American Peoples of Orange County, California
Anthropology Thesis (M.A.)--California State University, Fullerton, 2001.
Autoethnography and Material Culture: the Case of Bill Reid
Billie Kukshuk: "I use carving as a way to defer things that are unsettling in life"
Biography: Darren R. Mckenzie
The Birth of the Cooperative at Holman Island
Bishop Newnham distributing a treat to the Native peoples
British and Indian Identities in a Picture by Benjamin West
Camping with the Sioux: Fieldwork Diary of Alice Cunningham Fletcher
Canada Customs, Each-you-eyh-ul Siem (?) Sights/Sites of Meaning in Musquem Weaving
Case Study: Bob Boyer the Artist
Ceramics and Social Dynamics: Technological Style and Corrugated Ceramics During the Pueblo III to Pueblo IV Transition, Silver Creek, Arizona
A Chance Encounter With Simon Tookoome
Constructed Destinations: Art and Representations of History at the Vancouver International Airport
Contemporary Artist: Toonoo Sharky
Contemporary Native Art II: A Bibliography
Contemporary Traditions in Inuit Art
Cover Artist: Arthur Jack
Cover Artist: Clarence Kapay
Culture in the Marketplace: Gender, Art, and Value in the American Southwest
Dance to the Drum: In Celebration
David Itulu: Following a Graphic Impulse
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
Drawings From the Herman Collection: Western Masterpieces and Inuit Masterpieces
Elisapee Ishulutaq: A Quirky Use of Multiple Perspectives
Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwest Tourist Industry
"Eloquent Representatives:" A Study of the Native American Figure in the Early Landscapes of Thomas Cole, 1825-1830
Emergence from the Shadow: First Peoples' Photographic Perspectives
Entwined with Life: Native American Basketry
Excerpts From Germaine Arnaktauyok's Autobiography
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.