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Almost 50 Years of Inuit Art Exhibitions
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Anthropology, Art and Contest
Any Important Form: Louis Riel in Sculpture
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art Shaped by the North: Gary Natomagan
Artist Henry Beaudry
The Baker Lake Printmaking Revival
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
The Best of the Best in Native Arts [Part I]
Choices in the categories of art, literature, poetry, political works, and music.
Entire issue on one pdf. To access article scroll to p.9.
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Bishop Newnham distributing a treat to the Native peoples
Book Reviews
CCCA Canadian Art Database
Ceramic Production, Distribution, and Consumption in Two Classic Period Hohokam Communities
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Cover Artist: Lorne Cappo
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
A Curated Selection of Martha Tickie's Work
A Curated Selection of Mary Yuusipik's Work
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Desert Voices: Pitjantjatjara Women's Art and Craft Production in Ernabella, South Australia
Developing Indigenous Visual Arts Transnationally and Across Genres
Diane Bell, the Ngarrindjeri and the Hindmarsh Island Affair: 'Value-free' Ethnography
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Educator Information: To Honor & Comfort Native Quilting Traditions
Effects of European Contact on Textile Production and Exchange in the North American Southwest: A Pueblo Case Study
Eli Nasogaluak: "I Try to Produce Work That Shows a lot of Action and Strength"
Empowering Inuit Women in Community-Based Economic Development
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.
Essence and Existence in Allan Houser's Modernism
Exhibits of Truth and Reconciliation: Creating Empathetic Spaces for Indigenous Narratives in Canada
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.