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The American Indian in the Great War: Real and Imagined [Part One, Chapter Three]
Art, Native Voice, and Political Crisis: Reflections on Art Education and the Survival of Culture at Kanehsatake
The Artist and the Vision
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
Arts From the Arctic: A Celebratory Exhibition
The Audience for "Primitive" Art in Houses in the New York Region
Autobiographical Impulses and Female Identity in the Drawings of Napachie Pootoogook
Bishop Newnham distributing a treat to the Native peoples
Broken Dreams; No Regrets
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
The Canadian Eskimo Arts Council Did Not Limp Onto the Scene
Chasms and Collisions: Native American Women's Decolonial Labor
Contemporary Indigenous Arts in the Classroom
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Desert Crafts: Anangu Maruku Punu
Equality
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 images - Indigenous Woman and Daughter
The Face Pullers: Ch.4 Images - " A Mystery to Solve"
The Face Pullers: Ch.4 Images - " A Mystery to Solve"-2
The Face Pullers: Ch.4 Images - Big Belly
The Face Pullers: Ch.4 Images - Corporal and "Scouts"
The Face Pullers: Ch.4 Images - Inside Medicine Lodge
The Face Pullers: Ch.4 Images - Joe Big Plume
The Face Pullers: Ch.4 Images - Spring Chief
The Face Pullers: Ch.4 Images - Walking Buffalo
The Face Pullers: Ch.4 Images - Yellow Horse, Head Chief
The Face Pullers - Unused Photos- Many Shots and White Headed Chief
Frederick Alexcee's Entangled Gazes
From Health Worker to Health Worker across Australia
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
George Swinton's new Sculpture of the Inuit
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Graffiti to Graphics: Streetwize Aboriginal HIV/AIDS Poster Project
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Honouring: Project of Heart / Speaking to Memory
Houle, Robert. Art Gallery of Ontario. Toronto
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.