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The Acquisition of Visual Records Relating to Native Life in North America
Acts of Empathic Imagination: Contemporary Native American Artists and Writers as Healers
Aesthetics in a Cross-Cultural Perspective: Some Reflections on Native American Basketry
After the Art Boom, What?: Yupik and Inuit Art: A Resurgence
American Indian Textiles: 2,000 Artist Biographies: vol.3
Analytical Techniques in the Analysis of Rock Art
Anasazi Ceramics as Text and Tool: Toward a Theory of Ceramic Design "Messaging"
Anilnik Peelaktoak
Arctic Realism
Art of Ethnography: A Critical Analysis of Edward S. Curtis' The North American Indian
The Art of Research: Nelson Graburn and the Aesthetics of Inuit Sculpture
Art, Social Power, and Native Peoples: An Analysis of Representations
The Artists Speak
An Assessment of the Manufacture, Use, Origin, and Nomenclature of Utilitarian Ceramics Produced by Native American Peoples of Orange County, California
Anthropology Thesis (M.A.)--California State University, Fullerton, 2001.
Autoethnography and Material Culture: the Case of Bill Reid
Ayumee-Aawach Oomama-Mowan: Speaking to Their Mother
Biography: Darren R. Mckenzie
The Birth of the Cooperative at Holman Island
Bishop Newnham distributing a treat to the Native peoples
The Black Canoe: Bill Reid and the Spirit of the Haida Gawaii
Camping with the Sioux: Fieldwork Diary of Alice Cunningham Fletcher
Canada Customs, Each-you-eyh-ul Siem (?) Sights/Sites of Meaning in Musquem Weaving
Ceramics and Social Dynamics: Technological Style and Corrugated Ceramics During the Pueblo III to Pueblo IV Transition, Silver Creek, Arizona
Challenging Long-Cherished Beliefs
A Chance Encounter With Simon Tookoome
Constructed Destinations: Art and Representations of History at the Vancouver International Airport
Contemporary Artist: Toonoo Sharky
Contemporary Traditions in Inuit Art
Cross-Cultural Education vs. Modernist Imperialism: The Institute of American Indian Arts
Culture in the Marketplace: Gender, Art, and Value in the American Southwest
Defying the Limits
Dorothy Dunn and the Art Education of Native Americans: Continuing the Dialogue
The Early Years of Native American Art History: The Politics of Scholarship and Collecting
Elisapee Ishulutaq: A Quirky Use of Multiple Perspectives
Elle Meets the President: Weaving Navajo Culture and Commerce in the Southwest Tourist Industry
Emergence from the Shadow: First Peoples' Photographic Perspectives
Entwined with Life: Native American Basketry
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.