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Aboriginal Art Displayed for Vincent Massey Students
Aboriginal Womens Council of Saskatchewan Meeting
Aborigines Day Saskatoon. - 21 June 2003. - Slide.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Aborigines Day Saskatoon. - 21 June 2003. - Slides.
Historical note:
First proclaimed by the Governor General of Canada on 13 June 1996, June 21st of every year has become a day in the Canadian calendar that presents Aboriginal peoples with a great opportunity to express great pride for their rich diverse cultures with their families, neighbours, friends and visitors.Accord Agreement Signing between FSIN and Federal Government
Across the Great Divide: Jimmie Durham's Subversive (Self) Portraits
Áillohaš the Shaman-Poet and His Govadas-Image Drum: A Literary Ecology of Nils-Aslak Valkeapää
American Anthropologist. Vol. 105, No. 4, December 2003.
The American Indian Art World and the (Re-) Production of the Primitive: Hopi Pottery and Potters
American Indian Jewelry I: 1,200 Artist Biographies: vol. 5
Angelique Merasty: Birch Bark Artist
[Anglican Church]
The Anguish of Snails: Native American Folklore in the West
Artists in the Arctic
Artists, Weavers, Movers and Shakers
B.C. First Nations Studies [Textbook]
Baker Lake Wall-Hangings: Starting from Scraps
A Bead Box of My Own: The Beadwork of Métis Artist Philomene Umpherville
[BeauDril Worker at Work]
BeauDril Worker At Work
Beauty, Honor, and Tradition: The Legacy of Plains Indian Shirts
The Beothuk of Newfoundland: A Vanished People
Bibliography of Kate Peck Kent
Bishop Newnham distributing a treat to the Native peoples
Bone Work from Arviat
Brian Jungen: Cool, Cooler, Coolest
Button Blanket Math: A Primary Unit, Grade 2
Resource for teaching number, pattern and space/shapes by incorporating images and forms used in First Nations art. Includes black line masters.
A Case Study in the Relationship Between Social Complexity and the Organization of Ceramic Production From the Lake Pátzcuaro Basin, Michoacán, Mexico. Volume 1
Coacoochee's Bones: A Seminole Saga
A Collection Without Parallel Sees the Light of Day
Doctoring Divinity: Trickster, Jim Logan and the Classical Canon
"Drawing is Totally the Reverse of the Process of Carving": Kenojuak Talks about Art-Making
Drawing on Inuit
Duck Lake, Aug. 2003 - Slides.
Historical note:
[Edward S. Curtis's Photographs: Post-Modernism, Re-enactment, and Contextual Value]
Embodiments of Power: Nineteenth-Century Warrior Art Among the Cheyennes and Kiowas
Emerging Voices: An Analysis of Subarctic Aboriginal Basketry
The Eskimos
The European Perception of the Native American, 1750-1850
Exhibiting Aboriginal Industry: A Story Behind a 'Re-Discovered' Bark Drawing From Victoria
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.