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Aanikoobijigani Gikinoohamaagewinan: Noonkom Ishinamowinan
Aboriginal American Weaving
"Aboriginal Art: Who Was Interested?"
Aboriginal Australian and Canadian First Nations Children's Literature
Aboriginal Peoples: Resources Pertaining to First Nations, Inuit and Métis. 2011 Supplement.
Acting For the Camera: Horace Poolaw's Film Stills of Family, 1925-1950
Active Engagement: Decoding the Politics of A4444
[Adrian Stimson]
Alex Janvier’s Entangled Cartographies: Hunters’ Dreams, Bauhaus Aesthetics, and the Cold Lake Air Weapons Range
All of My Blood Is Red: Contemporary Métis Visual Culture and Identity
Art, Craft, and Assimilation: Curriculum for Native Students during the Boarding School Era
Art Education: First Nations, Métis & Inuit Content & Perspectives Integration
Art in the Bush: Romanticist Painting for Indigenous Audiences in Tasmania and Newfoundland
Art into Health: Puntu Palyarrikuwanpa: Aboriginal Men Becoming Well
The Art of Inuit Women: Anonymous No More
[Artist Talk: Kay WalkingStick: A Painted Life]
Beaded Earrings: Techniques & Designs
Beading Offers Women Chance to Change Lives
Beads and Beadwork of the American Indians: A Study Based On Specimens in the Museum of the American Indian, Heye Foundation
A Bibliography of the Arts and Crafts of the Northwest Coast Indians
Bill Brittian in costume at the Saskatoon Exhibition
Bishop Newnham distributing a treat to the Native peoples
Bloody Savages/White Invaders: Images of the Other in Non-Native and Native Art
Brian Jungen's Verfremdungseffekt: Strange Comfort at the National Museum for the American Indian
"Bringing What's On the Inside Out": Arts-Based Cancer Education With Alaska Native Peoples
Ceramics and the Spanish Conquest: Response and Continuity of Indigenous Pottery Technology in Central Mexico
Changing Perspectives on Graffiti One Piece at a Time
Cheyenne Moccasins - Thunderbird and Underwater Panther Designs: Part 9
The Children Remembered: Residential Schools Archive Project
Close Encounters: The Next 500 Years: [International Exhibition of Contemporary Indigenous Art]: Teacher's Resource Guide
Contemporary Native American Women Artists of the Great Plains
Creating a Market for Inuit Art: 1949-1967
Creator of Prince Albert Totem Pole (3)
Creator of the Prince Albert Totem Pole (2)
Crow 1873-1910
Cultural Memories and Imagined Futures: The Art of Jane Ash Poitras
Culture Days a Showcase for Aboriginal Heritage
Custer on Canvas: Representing Indians, Memory, and Violence in the New West
Dancer at Prince Albert Totem Pole Ceremony
Distinctly Oscar Howe: Life, Art, Stories
Documenting the Dakota: Lucy Margaret Baker
Drawing Large in Cape Dorset
Drum Circle and Dancers at Ceremony for Prince Albert Totem Pole
Exhibit Honours Aboriginal Women
Exploring Craft Cooperative Potential in Paqtnkek Mi'kmaq Community: Final Report
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.