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Aboriginal American Weaving
Aboriginal Artists of the Nineteenth Century
Aboriginal Portraits from the National Archives of Canada
Alfred Kroeber and the Photographic Representation of California Indians
All I Had for Hair was Pink Yarn: A Survey of Doll Art From Alaska and Canada
Alootook Ipellie: The Voice of an Inuk Artist
Archival Photographs in Perspective: Indian Residential School Images of Health
Arctic Circle
The Art of Qaqaq Ashoona
Aurora College's Fine Arts Program Dubbed an Eye-Opener
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
Beads and Beadwork of the American Indians: A Study Based On Specimens in the Museum of the American Indian, Heye Foundation
Beads: Symbols of Indigenous Cultural Resilience and Value
Between Two Worlds: Sculpture by David Ruben Piqtoukun
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
A Bibliography of the Arts and Crafts of the Northwest Coast Indians
Bill Brittian in costume at the Saskatoon Exhibition
Bill Nasogaluak: Getting Past the Oral Tradition
Bill Reid - Metalsmith, Wood Carver, Jeweller: About the Craftsperson
Bishop Newnham distributing a treat to the Native peoples
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Cape Dorset Prints: 1969
The Concept of Duality in Culture and Myths of Lakota Indians
Confessions of an Igloo Dweller
The Contemporary Living Art
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Creator of Prince Albert Totem Pole (3)
Creator of the Prince Albert Totem Pole (2)
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
A Curated Selection of Pauta Saila's Work
Curating and Controlling Zuni Photographic Images
Dancer at Prince Albert Totem Pole Ceremony
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Disposable Red Woman: Guerrilla Art
Drum Circle and Dancers at Ceremony for Prince Albert Totem Pole
[Dynamic Traditions: 'Cannery Days' Exhibit at Vancouver's Museum of Anthropology]
Early 19th Century Men's Southeast Moccasins in the Creek Style
Edgar Heap of Birds
Elisapee Inukpuk: "I Enjoy Dollmaking Immensely"
Elsie Klengenberg: "I Like to Draw People, Animals and Little Kids"
Exploring the Relocation Experiences of Female Indigenous Youth in Foster Care through Storywork
The Face Pullers: Ch.1 Images - Ceremony of Erecting Sundance Lodge
The Face Pullers: Ch.3 Images - Betty Hunter-Stoney
The Face Pullers: Ch.3 Images - Boys of the Indian Reserve, Saskatoon
Black and white photograph of a group of Indigenous men on the White Cap Reserve seated in an early automobile as Charlie Eagle turns the crank. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.3 Images - Indian Delegation to Meet Sir Wilfrid Laurier, Lloydminster
Black and white photograph of a group of indigenous men comprising a delegation to meet Sir Wilfred Laurier in Lloydminster, including, (from front left) Fox, Mr. Quinney Sr. John Calling Bull, Napeview, Feather Trousers, Horse, Ugly Fingers, Carpenter, Angus Quinney, Benjamin Quinney, Jean Baptiste Opissinow, Young Chief, Joe Taylor, William Sibbald, Father Cunningham, Mikwyapiy, Flying About, Three Legs, Anoine Muskego, Misihew, Silly Man.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.