The picture shows some Aboriginal men sitting at school desks in the foreground, with a crowded group of mainly Aboriginal people at the back of the room. The political dignitaries are not visible.
File contains 10 negatives from the Indian Metis Days Pow Wow and Sports Events held in Prince Albert, SK on June 21, 1970. All images show Pow Wow dancers in traditional dress.
Indian pow-wow at Prince Albert, Saskatchewan, July 1, 1905. A large group of Aboriginal people stand in background with seven men around a pow-wow drum in foreground.
[Memoirs of the American Museum of Natural History ; v. 10]
[Publications of] the Jesup North Pacific Expedition ; v. 6, pt. 2
E-Books » Chapters
Author/Creator
[Waldemar Jochelson]
Description
Forms part of the Memoirs of the American Museum of Natural History, v. 10 (p. [383]-842).
PLEASE NOTE: Title page is inaccurate does not reflect the actual document.
Poitras, once labeled an angry artist, believes anger is foreign to Indigenous philosophies and traditions, instead dictates forgiveness. Her works have display evils done to First Nations people by the church, Western materialism, residential schools and alcohol, but her own worldview is that trials and suffering lead to redemption.
Consists of an interview with George First Rider where he describes the ceremonies associated with a Holy Lodge. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
There are 28 photographs of the Louis Riel Race in Saskatoon. Pictures of people running, canoeing and doing various other activities in July, 1970. fifteen of these pictures were selected and scanned for the database.
Based on the exhibition Shared Visions: Native American Painters and Sculptors in the Twentieth Century, the focus is on artists from the Southwest and Oklahoma.
Chapter from Balance: Art and Nature gives brief discussion of works by various artists including: Lawrence Paul Yuxweluptun, Joane Cardinal-Schubert, Eric Robertson, Pierre-Léon Tétreault, Peter Morgan, Glenna Matoush, Eric Robertson, and Jimmie Durham.
American Indian Quarterly, vol. 18, no. 4, Fall, 1994, pp. 445-[?]
Description
Contends that while contemporary artists acknowledge those who came before, they have developed their own individual styles and the one common thread is their part in environmental, economic, and cultural politics. Article highlights several individual artists.
Postcards of Norway House, Manitoba, past and present. Eight postcards shows historical scenes such as forts, churches and a view of Norway House from 1889. The remaining eight postcards showing modern day scenes like paddlers in a York boat, Aboriginal people posing for camera, and the Paimush Creek Rock Paintings.
On information card: (L-R) Leo Satoksky - left (clerk) DNA, Luke Essaluk - center (clerk) DNA, Ches. Russell - right (hotel) at Hudson's Bay Co. store". Rankin Inlet, N.W.T.
Brief description of the five collections that form the bulk of the Museum's Southwestern holdings:
Hazzard-Marta Collection: Relics from the Cliffdwellings
The Donaldson Collection: Into the Pueblos
The Wanamaker Expedition: Staying Ahead
The Gottschall Collection: Commerce and Collecting
The Stephens Collection: An Artist's Eye
Journal of Canadian Art History, vol. 16, no. 1, 1994, pp. 10-29
Description
Comments on paintings that juxtapose 'primitive' against 'civilized'. A summary in French follows the article.
Entire issue on one pdf. To access article scroll to p. 10.
Consists of an interview with George First Rider where he tells the story of a medicine man named Bear Hat (later renamed Curlew). He tells how Bear Hat was revived after serious injury and how Bear Hat healed a young man wounded in a battle.
Consists of an interview with George First Rider where he tells the story of a boy given supernatural powers by the bears and of his subsequent success as a healer of his own wounds and those of other people or animals.