Cree Council on Sweetgrass Reserve
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Dinjii Zhuh: Productive Disruptions
Duck Lake Battle Grounds
Editor's Note [American Indian Quarterly, Volume 39, Number 1]
Equality
Evaluation of the Kòts'iìhtła ("We Light the Fire") Project: Building Resiliency and Connections through Strengths-Based Creative Arts Programming for Indigenous Youth
Explorations in Haida Formline Design: Abstract Paintings
Four lessons designed for Grades 8-12.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Face Time
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
The Fight at Duck Lake
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Floral Journey: Native North American Beadwork
For a Love of His People: The Photography of Horace Poolaw
Fort Carlton, 1885
Fort Marion Prisoners and the Trauma of Native Education
Fort of Refuge, Prince Albert, March 31, 1885
[Four Sky Thunder]
Frederick Alexcee's Entangled Gazes
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
From the Hands of a Weaver: Olympic Peninsula Basketry through Time
Gabriel Dumont - Portrait
General F.D. Middleton
The George Catlin Indian Gallery in the U.S. National Museum (Smithsonian Institution) with Memoir and Statistics
The Gift of the Face: Portraiture and Time in Edward S. Curtis's "The North American Indian"
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Government Surveyors (Scout) Corps During the 1885 Uprising
Grenadiers Relieving the 90th Battalion at Fish Creek, N.W. Rebellion, 1885
Guardhouse, N.W.M.P. Post at Regina, Sask., Where Louis Riel was Confined
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
"He shot Capt French"
Head and shoulders portrait of Chief Poundmaker
Honouring: Project of Heart / Speaking to Memory
Huichol Women, Weavers, and Shamans
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A Visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.