Duck Lake Battle Grounds
[Dynamic Traditions: 'Cannery Days' Exhibit at Vancouver's Museum of Anthropology]
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Equality
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.
The Face Pullers: Ch. 1 Images - Big Bear 1825-88
The Face Pullers: Ch.1 Images - Chief Bobtail and Son
The Face Pullers: Ch. 1 Images - Lt. Gov. Edgar Dewdney, Piapot and Montreal Garrison Artillery
The Face Pullers: Ch. 1 Images - North-West Rebellion Participants from Both Sides
Photograph of a group of participants in the Northwest Resistance, from both sides. Left to Right: Constable Black, Louis Cochin, Inspector R.B.Deane, Alexis Andre, Beverly Robertson, Horse Child, Big Bear, Alexander Stewart, Poundmaker. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch.1 Images - Poundmaker
The Face Pullers: Ch.2 Images - Deerfoot with rifle
The Face Pullers: Ch.2 Images - Sarcee Woman
The Face Pullers: Ch. 2 Images - Unidentified Blood Warrior
Subject holding rifle, sitting on animal hide wearing traditional clothing. Shot in studio. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Ch. 3 Images - Staff and Students of Government Industrial School
Photograph of the staff and students of a government industrial school in Fort Qu'Appelle. From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Facsimiles of sketches furnished to the Montreal Star by a member of the Expedition - 9 May 1885.
The Fight at Duck Lake
Fine Day
The First Expedition for the Relief of Battleford Attacked by Halfbreeds - Sketch. - 1885.
First Shell into Batoche, May 9, 1885
Fish Creek From the North
Fort Carlton, 1885
Fort of Refuge, Prince Albert, March 31, 1885
[Four Sky Thunder]
Frederick Alexcee's Entangled Gazes
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
A Functional Analysis of Northwest Coast Spindle Whorls
Gabriel Dumont - Portrait
General F.D. Middleton
The George Catlin Indian Gallery in the U.S. National Museum (Smithsonian Institution) with Memoir and Statistics
George Catlin's Indian Gallery: Art, Science, and Power in the Nineteenth Century
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Government Surveyors (Scout) Corps During the 1885 Uprising
Grenadiers Relieving the 90th Battalion at Fish Creek, N.W. Rebellion, 1885
Guardhouse, N.W.M.P. Post at Regina, Sask., Where Louis Riel was Confined
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
"He shot Capt French"
Head and shoulders portrait of Chief Poundmaker
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
High-Speed Film Captures the Vanishing American, in Living Color
Honouring: Project of Heart / Speaking to Memory
Hotdogger and Holdouts
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A Visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.